Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
Renée Elise Goldsberry
A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today.
Don E. FauntLeRoy
Roger Guenveur Smith
JJ's life has been miserable ever since his ill mother had to give him up. The only two good things he has are his best friend Sophia and his wonderful talent for music. Determined to know what happened to his mom, the young man escapes from his foster mother, a woman who encourages her charges to steal and bully. Following his memories, he takes shelter in Central Park. JJ becomes the new protégé of the Guardian, a homeless eccentric and self-appointed King of Central Park who promises to protect the boy and offers him the companionship of a dog called Mutt in exchange for food. Also, JJ's path crosses with Rebecca Cairn, another eccentric who lives in a brownstone overlooking the park. She takes particular interest in him, as does her estranged husband Noah Cairn who is always rescuing Rebecca when she grows depressed. JJ tries to shake off the help of these characters, thinking that his life would be better on his own. However, JJ's foster mother is looking for him, making his ... Written by
The auteur of "Prince" manages to take an excellent cast, a decent story, a mediocre script and carefully assemble them into one boring, monotonous, amateurish mess. In spite of a strong central performance by Frank Nasso, the Prince, this disjointed film wanders aimlessly from scene to scene, painfully disintegrating into hash. The result brings a sigh of relief at the end where the tears of joy should be. A sad waste of time and talent and a good example of how NOT to direct a film.
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