| Joan Hickson | ... | Miss Marple | |
| Paul Eddington | ... | Reverend Leonard Clement | |
| Cheryl Campbell | ... | Griselda Clement | |
| Polly Adams | ... | Ann Protheroe | |
| Tara MacGowran | ... | Lettice Protheroe | |
| James Hazeldine | ... | Lawrence Redding | |
| Christopher Good | ... | Christopher Hawes | |
| Norma West | ... | Mrs. Lestrange | |
| Michael Browning | ... | Dr. Haydock | |
| David Horovitch | ... | Det. Inspector Slack | |
| Ian Brimble | ... | Det. Sergeant Lake | |
| Jack Galloway | ... | Bill Archer | |
| Rachel Weaver | ... | Mary Wright | |
| Rosalie Crutchley | ... | Mrs. Price-Ridley | |
| Barbara Hicks | ... | Miss Hartnell | |
| Deddie Davies | ... | Mrs. Salisbury | |
| rest of cast listed alphabetically: | |||
| Robert Lang | ... | Colonel Protheroe (uncredited: in closing credits) | |
| Kathleen Bidmead | ... | Miss Wetherby (uncredited) | |
| Tony Brandon | ... | Fred Abbot (uncredited) | |
| Kenneth Keeling | ... | Ned Abbot (uncredited) | |
Directed by | |||
| Julian Amyes | |||
Writing credits | ||
| T.R. Bowen | (dramatised by) | |
| Agatha Christie | (novel) uncredited | |
Produced by | |||
| George Gallaccio | .... | producer | |
| Guy Slater | .... | executive producer | |
Original Music by | |||
| Ken Howard | (uncredited) | ||
Cinematography by | |||
| John Walker | (photography) | ||
Film Editing by | |||
| Bernard Ashby | |||
Production Design by | |||
| Ray London | (designer) (as Raymond London) | ||
Costume Design by | |||
| Juanita Waterson | |||
Makeup Department | |||
| Sylvia Thornton | .... | makeup designer | |
Production Management | |||
| Viv Rosenz | .... | production manager | |
Art Department | |||
| Paul Birkbeck | .... | title illustrations | |
| Linda Sherwood-Page | .... | graphic designer | |
| Francis Smith | .... | properties buyer | |
Sound Department | |||
| Bill Chesneau | .... | film recordist | |
| John Hale | .... | dubbing mixer | |
| Robin Graham Scott | .... | dubbing editor (as Robin Graham-Scott) | |
Camera and Electrical Department | |||
| John Ward | .... | Steadicam operator (uncredited) | |
Music Department | |||
| John Altman | .... | musical director | |
| Alan Blaikley | .... | composer: title music | |
| Ken Howard | .... | composer: incidental music | |
| Ken Howard | .... | composer: title music | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Other crew | |||
| Maggie Lewty | .... | production assistant (as Margaret Lewty) | |
| Thea Murray | .... | production associate | |
| Christopher Sandeman | .... | assistant floor manager | |
| Chris Stanton | .... | assistant floor manager | |
| Laurence Wilson | .... | location manager | |
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| The Moving Finger | So Sweet, So Dead | The Body in the Library | Sherlock Holmes Faces Death | Miss Marple: Nemesis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Life in the vicarage is not as gentile and peaceful as it would seem as even mild-mannered Reverend Clement is driven to swearing by the stiff-necked attitude of Colonel Protheroe over the church accounts. In fact Protheroe is so unpopular that, when he is found murdered in the vicarage, several people confess to the crime to protect others who they assume must have done it. When the police manage to prove that the confessors couldn't possibly have done it, it leaves them with the question of who actually has killed him. As they conduct their investigation, Miss Marple continues her gardening and listens to the village grapevine to build a picture in her mind of what could have happened.
Although I have seen several BBC Miss Marple films where boredom could have been the cause of the murder, I still tried again several times and I was happy when this film turned out to be one of the more enjoyable and free-flowing in the series. Stepping away from the uptight and repressed standards of the period this film instead builds on the gossipy, small-world nature of life in a small English village. In doing this it show Miss Marple's quiet use of the grapevine in nice contrast to the police resources of Slack. The story itself is well structured and has plenty going on it avoids the trap of being dull by way of trying to "English" and is quite fun. The mystery is well spun out and well solved with a nice air of humour along the way. It will still appear "boring" to those raised on the quick-fire mysteries of CSI etc but I found it to be quite sparky by the usual BBC Miss Marple standards.
Hickson is the one I always think of when I think of Miss Marple and here she is good value. She plays the "village" aspect of her character well and her personality comes through well in even simple lines. She is well supported by Horovitch's Slack who provides several laughs with his character. The support are generally up to the task Eddington had a smaller role than I expected but was good; Lang was enjoyable before his final shot while people like Adams, Hazeldine, Good, West and others are all solid enough to stop the audience ignoring them or seeing them as dominate (and thus a possible murderer).
Overall this is an enjoyable and interesting entry in the solid BBC Miss Marple film series. The story is engaging and developed well and, far from being stiff, it actually flows quite well. The addition of humour and lively performances only helps to make it all the more enjoyable and makes this a good introduction to the BBC Marple series.