The Evangelion saga from TV is artfully recounted, with some additional scenes, in part one see: "Shin Seiki Evangelion" (1995) Part two starts immediately afterward, where the NERV ... See full summary »
Civilization has been destroyed by war and pollution, but the survivors have built the last city of Ecoban. As most natural resources have been exhausted, Ecoban is powered by pollution. ... See full summary »
In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?
Japan, 2077: A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind.
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
The Evangelion saga from TV is artfully recounted, with some additional scenes, in part one see: "Shin Seiki Evangelion" (1995) Part two starts immediately afterward, where the NERV organization has outlived its usefulness. The shadowy covenant of SEELE launches an all-out commando assault against the ill-defended headquarters. Asuka, semi-comatose, is placed in her EVA for safety, while Misato and company struggle to find Shinji and Rei before they're assasinated by SEELE's forces. Written by
After the credits for "Death", there is a short scene of Shinji walking silently out of the recital room with his cello followed by a loud slamming sound as the Japanese text "zoku-geki" ("the movie continues") appears on the screen. A four-and-a-half-minute intermission follows, preceding the "Rebirth" segment. See more »
The Evangelion series itself may well be a true masterpiece, a rare example of a popular work that transcends its commercial origins and enters the realm of great art. Unfortunately, this film fails to really do it justice as it consists primarily of material already seen in either the television series or the film End of Evangelion. Additionally, they redubbed many of the voices for the English version, and the new voices often fall quite short of the old ones (even if they didn't necessarily live up to the Japanese ones to begin with). Touji's lines, in particular, fall spectacularly flat. On the positive side, it does introduce some new and hard to get footage interspersed with some nice musical numbers from Bach and Pachelbel.
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