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Neon Genesis Evangelion: The End of Evangelion (1997)
"Shin seiki Evangelion Gekijô-ban: Air/Magokoro wo, kimi ni" (original title)

 -  Animation | Action | Drama  -  June 2002 (USA)
8.2
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Ratings: 8.2/10 from 14,729 users  
Reviews: 124 user | 13 critic

Concurrent theatrical ending of the TV series "Shin Seiki Evangelion" (1995).

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(screenplay), (english version)
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Title: Neon Genesis Evangelion: The End of Evangelion (1997)

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This film is a live-action feature film based on the acclaimed japanese animation (anime) series.

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Cast

Cast overview, first billed only:
Megumi Ogata ...
Shinji Ikari (voice)
Megumi Hayashibara ...
Yûko Miyamura ...
Kotono Mitsuishi ...
Yuriko Yamaguchi ...
Ritsuko Akagi (voice)
Fumihiko Tachiki ...
Gendô Ikari (voice)
Akira Ishida ...
Kaworu Nagisa (voice)
Motomu Kiyokawa ...
Mugihito ...
Keel Lorentz (voice)
Takehito Koyasu ...
Shigeru Aoba (voice)
Hiro Yuuki ...
Makoto Hyûga (voice)
Miki Nagasawa ...
Maya Ibuki (voice)
...
Shinji Ikari (voice)
Amanda Winn Lee ...
Rei Ayanami / Yui Ikari (voice) (as Amanda Winn)
...
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Storyline

NERV faces a brutal attack from SEELE, but with Asuka in a coma, and Shinji in a nervous breakdown, things soon turn into the surreal. This movie provides an concurrent ending to the final two episodes of the show "Neon Genesis Evangelion". Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

The fate of destruction is also the joy of rebirth See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

June 2002 (USA)  »

Also Known As:

Neon Genesis Evangelion: The End of Evangelion  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

An alternate sequence was originally planned for the live-action portion of the film. In it, Shinji dreams of a world that exists without him. The sequence follows live-action versions of Asuka, Misato, and Rei in various stages of their daily lives, without NERV, Angels, or Evangelions. It ends with Asuka being followed by an "invisible" Shinji, who realizes in monologue that this is not reality. As the transition from live-action back to animation is made, Rei and Shinji discuss the nature of dreams vs. reality, as seen in the final cut of the film. Portions of this alternate sequence can be seen in the original theatrical trailer, which is shown on the R1 DVD before the movie plays. See more »

Quotes

JSSDF Soldier: [the JSSDF army is completely overwhelming NERV HQ, when suddenly a crucifix-shaped burst of energy comes from the lake outside] What the hell is that?
JSSDF Commander: [EVA-02, piloted by Asuka, rises from the lake lifting a battleship in its hands, its eyes glowing like a demon's] Dear God!
Asuka Langley Sohryuu: Schwein-hund!
[Asuka flings the battleship at the JSSDF, resulting in a massive explosion that wipes out an entire artillery battalion]
Asuka Langley Sohryuu: Moma! Moma! Now I understand! The meaning of the AT field! You were always protecting me!...
[...]
See more »

Crazy Credits

Kadokawa Shoten, TV Tokyo, SEGA Enterprises (now SEGA-Sammy), Production IG, MOVIC, Star Child Records, Toei Animation AND Gainax all have their eye-catch sequence just after the End Of Evangelion flash card titles. This is mainly due to all eight production companies having a stake in the film. See more »

Connections

Featured in Anime Abandon: The End of Evangelion (2012) See more »

Soundtracks

Heisoku no Kakudai
(Expansion of Blockage)
Music and arrangement by Shirô Sagisu
See more »

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User Reviews

 
Absolutely Amazing, My life is now complete
2 September 2000 | by (Roma, Australia) – See all my reviews

Being a fan of both Evangelion and Anime in general, this movie was the best I've ever seen. It takes the form of two episodes and serves as an alternate ending to the series. Everything about this piece amazed me, from the brilliant animation, to the subtle and deep storyline, to the feeling of dramatic climax the series was building up to in the first place. I have to say that Hideaki Anno managed to play my emotions like an instrument, and the effect is never lessened, no matter how many times I watch it.


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