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American Beauty (1999)

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A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

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280 ( 51)
Top Rated Movies #62 | Won 5 Oscars. Another 103 wins & 98 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sale House Woman #1
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Sale House Man #1
Fort Atkinson ...
Sale House Man #2
Sue Casey ...
Sale House Woman #2
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Storyline

After his death sometime in his forty-third year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Janie Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Janie too hates both her parents, the three who suffer individually in silence in their home life. Janie tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, she aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

... look closer

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality, language, violence and drug content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

1 October 1999 (USA)  »

Also Known As:

Belleza americana  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$861,531 (USA) (17 September 1999)

Gross:

$130,058,047 (USA) (2 June 2000)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The tagline and important theme of the film, "...look closer," can be seen in Lester's cubicle at work. It was simply something a set dresser had put in, and director Sam Mendes noticed it while editing and suggested it be used for the poster. See more »

Goofs

When Angela and Jane are outside the school talking to Ricky, there is a shot in which the filter of Angela's cigarette is visible, and it's clearly white. As the cigarette is half-smoked, it should be brown from the tar. However, this could be deliberate as it could be that Angela and Jane are not really smoking and just trying to look cool. See more »

Quotes

[first lines]
Jane Burnham: I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Ricky Fitts: Want me to kill him for you?
Jane Burnham: Yeah. Would you?
See more »

Crazy Credits

thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »

Connections

Featured in Siskel & Ebert: The Bill Clinton Interview (2000) See more »

Soundtracks

All Right Now
Written by Andy Fraser and Paul Rodgers
Performed by Free
Courtesy of A&M Records/Island Records Ltd.
Under license from Universal Music Special Markets
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User Reviews

 
A little masterpiece...
26 February 2000 | by (Melbourne, Australia) – See all my reviews

"American Beauty" is tour de force cinema. Sam Mendes' brilliant debut feature depicts a web of characters who yearn for their own 'American Dream' - yet, in the end, only one character truly attains it.

Having seen "Happiness" only recently, I could not help but draw comparisons: both films centre around a microcosm of society in which the people, in their own unique way, all strive to be successful or simply 'happy'. But here the similarities end: the characters in "Happiness" undergo a self-realisation process through which they become increasingly aware of their meaningless existence, and go on to wallow in their own depravity. "Happiness" shows no signs of redemption; whereas in "American Beauty" the audience is offered a sense of hope, of salvation, though the characters must endure a similar fate, or more accurately, they must endure the way of life in which they are trapped.

The pivotal character upon which this theme centres, is the father Lester, played impeccably by Kevin Spacey. He is presented to us as a bit of a loser who plays the subjugated figure in the home and at work. He appears resigned to an unhappy life in which he is treated badly by his wife and daughter and his boss at work. Seemingly beyond redemption, Lester transforms from being a loser.

Mendes portrays this transformation admirably well: he shows Lester on his 'path to enlightenment' pushed up against a grim background of suburbanite existence. These early scenes are well balanced, forming a steady rhythm of TV commercial-like vignettes which prove very comical, if at times unsettling. As Lester reflects in the film: "My life is like a commercial". And how this rings true: like in "Happiness", all the characters hide underneath this veneer of normality and respectability, yet they are all revealed to be nothing but the opposite: depressed, depraved and desperate.

Lester's wife, played by Annette Benning, is the most success-driven character in the story which renders her the most hopeless in the film's tone of moral conviction. "In order to be successful in life one must project the appearance of success" is the maxim she adopts from the 'king' of real estate, Buddy King. It is a phrase which resonates throughout the film: for Benning's pawn, life is all about keeping-up appearances. This is where Lester differs from her: his emancipation is enabled by him discarding the constraints of 'normal life' and following what his heart desires.

Lester is the catalyst in this narrative in which the ancillary characters either follow suit (as does his daughter and Ricky) or pay the price (as does his wife and the Colonel). The irony inherent in this film, and it grows with resonance as the film draws to a conclusion, is that the only character who truly becomes free must sacrifice everything in order to achieve it. Yet it is through his sacrifice that he is able to afford the surviving characters a glimpse of hope in life.

This film left me gasping for air: its hyper-realism conveys, at the same time, a portrait of the suburban comedy, a jolting-shock of realisation, and a cathartic sense of hope. Mendes depicts a certain people who, to varying degrees, all strive for a certain 'American Dream', yet so few actually attain it. Though whilst one may have difficulty with tagging this film with the 'feel good' label, the beauty of "American Beauty" is that it sits half-way between a desperate cry for help and a reassuring sense of happiness and fulfilment and that is cinema at its best.


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