Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
After his death sometime in his forty-third year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Janie Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Janie too hates both her parents, the three who suffer individually in silence in their home life. Janie tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, she aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change ... Written by
During the beginning of the film, after Jane gets onto the car, Carolyn is waiting by the driver seat with her arm on the windscreen. As Lester approaches the car, she moves her hand up, but the following shot shows her hand unmoved. See more »
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Want me to kill him for you?
Yeah. Would you?
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thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
What can I say, except that this film really knocked me on my keaster. I
went in to the theater not knowing what to expect, but was pretty sure it
would be worth the ticket price. Boy was I happy when I left. Not only was
it worth the ticket, I paid to see this film two more times. This film is
virtually perfect. The acting is superb, the story is magnificent, the
narrative is brilliant, and the structure of the film is truly
groundbreaking (absolutely loved the last 20 minutes). What really
surprised me about this film was how well the cinematography was done. In a
character driven film such as this, it is very unusual to have such great
cinematography. With this film, there is something interesting going on in
every scene, not many films you can say that about. In a year where first
time directors have made some of the best films, Three Kings, Being John
Malkovich, etc... Sam Mendes seems to have out-done them all. Though I
have yet to see The Green Mile or Magnolia, I find it hard to believe that
either film will out-shine American Beauty. This film should easily win a
substantial amount of the Oscars this year. What's up with all the cirtics
awards snubbing it so far?
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