When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Lester and Carolyn Burnham are on the outside, a perfect husband and wife, in a perfect house, in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with an abusive father. Written by
Jessie Skinner <firstname.lastname@example.org>
Kevin Spacey improvised everything he does in the car while his character is stoned and singing to "American Woman". See more »
In the dinner scene where Lester throws the bowl of asparagus against the wall the picture frame has been centered between the windows over the console table, and the table lamp visible in an earlier scene has been removed. These changes are not down to continuity as such. The script originally prompted for Lester to throw the plate on the floor, however it was decided that he throw it against the wall instead without the knowledge of Annette Bening or Thora Birch. It had to be done in one take (which it was) to get a real shock reaction. The lamp was removed to avoid any debris knocking it over, and the picture was repositioned in-line with Lester's aim for a clean throw and to minimize any risk of Kevin Spacey knocking the picture off the wall spoiling the 'one-take shot'. See more »
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Want me to kill him for you?
Yeah. Would you?
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thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
What can I say, except that this film really knocked me on my keaster. I went in to the theater not knowing what to expect, but was pretty sure it would be worth the ticket price. Boy was I happy when I left. Not only was it worth the ticket, I paid to see this film two more times. This film is virtually perfect. The acting is superb, the story is magnificent, the narrative is brilliant, and the structure of the film is truly groundbreaking (absolutely loved the last 20 minutes). What really surprised me about this film was how well the cinematography was done. In a small, character driven film such as this, it is very unusual to have such great cinematography. With this film, there is something interesting going on in every scene, not many films you can say that about. In a year where first time directors have made some of the best films, Three Kings, Being John Malkovich, etc... Sam Mendes seems to have out-done them all. Though I have yet to see The Green Mile or Magnolia, I find it hard to believe that either film will out-shine American Beauty. This film should easily win a substantial amount of the Oscars this year. What's up with all the cirtics awards snubbing it so far?
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