Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter's attractive friend.
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Upon admittance to a mental institution, a brash rebel rallies the patients to take on the oppressive head nurse, a woman he views as more dictator than nurse.
Director:
Milos Forman
Stars:
Michael Berryman,
Peter Brocco,
Louise Fletcher
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.
Director:
Jonathan Demme
Stars:
Tom Hanks,
Denzel Washington,
Roberta Maxwell
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
Lester and Carolyn Burnham are on the outside, a perfect husband and wife, in a perfect house, in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with a homophobic father. Written by
Jessie Skinner <eietherbinge@hotmail.com>
Alan Ball originally intended to write a script about Amy Fisher, the "Long Island Lolita" who shot lover Joey Buttafuoco's wife Mary Jo Buttafuoco in 1992; but each successive draft of the script drifted farther away from that story, until it essentially disappeared. See more »
Goofs
When Ricky comes home and finds his parents watching TV, it is night and he is wearing his catering tuxedo even though he just came home from school (as he is carrying a backpack). (The scene - which wasn't in the original script - was moved from after the real estate party to earlier in the movie.) See more »
Quotes
[first lines]
Jane Burnham:
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Ricky Fitts:
Want me to kill him for you?
Jane Burnham:
Yeah. Would you?
See more »
Crazy Credits
thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
When I first saw this movie in theaters, I found it to be very funny. When I rented it at home, I found it to be very sad and complex. Looking at it now, I realize that it is surely one of the most extraordinary films ever to come out of Hollywood. To some it may look trite or cliched, or maybe too un-ordinary to be worthy of its praise, but the overall impact of this film is extremely powerful. After you've seen it, you know you've seen something.
A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.
Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.
84 of 94 people found this review helpful.
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When I first saw this movie in theaters, I found it to be very funny. When I rented it at home, I found it to be very sad and complex. Looking at it now, I realize that it is surely one of the most extraordinary films ever to come out of Hollywood. To some it may look trite or cliched, or maybe too un-ordinary to be worthy of its praise, but the overall impact of this film is extremely powerful. After you've seen it, you know you've seen something.
A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.
Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.