The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes ... See full summary »
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Alcoholic Billy reflects on his country-music career that never happened and beats his wife Glory Marie, also a drunk. Grown-up son Hank has moved away, but teenaged Phoebe and sensitive ... See full summary »
Mitch became caught up with his career as a sport commentator and journalist. He ignored his girlfriend and did not make time to do things in life that are of the most value to a human ... See full summary »
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter's attractive friend.
Biopic of notorious Mitchell Brothers who opened up a successful San Francisco strip club and thriving porn business that lead to a downward spiral of power and greed.
Director:
Emilio Estevez
Stars:
Charlie Sheen,
Emilio Estevez,
Rafer Weigel
The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor, a minister and civil rights organizer, is shot to death, his son Emmet moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton. Written by
Anonymous
In the scene where Katie and her baby are walking through the Haight-Ashbury after she's just quit her job at the strip club, the man she walks by prior to having her purse stolen is clearly supposed to be Charles Manson. See more »
Goofs
At the end during the BBQ, the mother asked "How's my boy today?" there is a boom mic visible. See more »
oh ya, I was there and can vouch for the veracity of many of the scenes in this series. My background was that of a naive shy geeky type and it took me a long time to come to terms with what happened during the 60s. A time of very rapid and huge social change. The course of the decade is mirrored in the story presented in this excellent representation. The remnants of the bobbysoxer era gave way to some pretty horrid psychedelic tunes but then Jimi Hendrix hit the air waves. His legacy will in 200 years be similar to Amadeus Mozart: they both revolutionized music, lived on the edge, died young and broke. The difference is we have Jimi's live recordings and know his resting place. The characters then undergo some defining moments, and the war in southeast Asia spills over. The end of the film was rather abrupt and bewildering, same goes for that decade. I was there when the hippie era ended in a similar fashion.
Plausibility of this story ranges from dead on to highly unlikely. But you have to remember the hippie era was partly based on a lot of media hype and voyeurism. This range of views is correctly portrayed.
Julia Stiles was uniquely outstanding in her role as the wayward daughter who struggles against the downside of a society that in some cases was determined to devour its young. I too was kicked out of the house at a young age but I deserved it having chosen to sport long hair and argue with my parents at every opportunity. Fortunately I had a job at the time and all was forgiven eventually. Gee, thats exactly what happens in this movie. Its no wonder Ms Stiles has gone on to many more film projects and I hope to see her in roles that extend her talent.
Out of all the portrayals I have seen of that period, 'The 60s' is the most accurate. I was there, I should know. I even lived in a hippie house the summer of 1970. It was a farm house converted to a non-denominational church and some teens from around Canada and one chap from Jamaica were there on an exchange program. Music, motorcycles, pot, hitch-hikers, stern faced members of the establishment, oh ya, I had some flashbacks watching this one.
You can look back but you can never go back.
12 of 18 people found this review helpful.
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oh ya, I was there and can vouch for the veracity of many of the scenes in this series. My background was that of a naive shy geeky type and it took me a long time to come to terms with what happened during the 60s. A time of very rapid and huge social change. The course of the decade is mirrored in the story presented in this excellent representation. The remnants of the bobbysoxer era gave way to some pretty horrid psychedelic tunes but then Jimi Hendrix hit the air waves. His legacy will in 200 years be similar to Amadeus Mozart: they both revolutionized music, lived on the edge, died young and broke. The difference is we have Jimi's live recordings and know his resting place. The characters then undergo some defining moments, and the war in southeast Asia spills over. The end of the film was rather abrupt and bewildering, same goes for that decade. I was there when the hippie era ended in a similar fashion.
Plausibility of this story ranges from dead on to highly unlikely. But you have to remember the hippie era was partly based on a lot of media hype and voyeurism. This range of views is correctly portrayed.
Julia Stiles was uniquely outstanding in her role as the wayward daughter who struggles against the downside of a society that in some cases was determined to devour its young. I too was kicked out of the house at a young age but I deserved it having chosen to sport long hair and argue with my parents at every opportunity. Fortunately I had a job at the time and all was forgiven eventually. Gee, thats exactly what happens in this movie. Its no wonder Ms Stiles has gone on to many more film projects and I hope to see her in roles that extend her talent.
Out of all the portrayals I have seen of that period, 'The 60s' is the most accurate. I was there, I should know. I even lived in a hippie house the summer of 1970. It was a farm house converted to a non-denominational church and some teens from around Canada and one chap from Jamaica were there on an exchange program. Music, motorcycles, pot, hitch-hikers, stern faced members of the establishment, oh ya, I had some flashbacks watching this one.
You can look back but you can never go back.