| Photos (See all 17 | slideshow) |
| Jack Davenport | ... | Detective Sergeant Michael Colefield (6 episodes, 1998) | |
| Susannah Harker | ... | Dr. Angela March (6 episodes, 1998) | |
| Idris Elba | ... | Vaughan Rice (6 episodes, 1998) | |
| Philip Quast | ... | Father Pearse J. Harman (6 episodes, 1998) | |
| Colette Brown | ... | Kirsty (6 episodes, 1998) | |
| Fiona Dolman | ... | Frances (6 episodes, 1998) | |
| Thomas Lockyer | ... | Jacob (4 episodes, 1998) | |
| Corin Redgrave | ... | Dr. Paul Hoyle / ... (2 episodes, 1998) | |
| Stephen Moyer | ... | Jack / ... (2 episodes, 1998) | |
| Elizabeth Earl | ... | Angie's Daughter (2 episodes, 1998) |
Series Directed by | |||
| Joe Ahearne | (6 episodes, 1998) | ||
Series Writing credits | ||
| Joe Ahearne | (6 episodes, 1998) | |
Series Produced by | |||
| Sophie Balhetchet | .... | executive producer (6 episodes, 1998) | |
| Bill Shapter | .... | producer (6 episodes, 1998) | |
Series Original Music by | |||
| Sue Hewitt | (6 episodes, 1998) | ||
Series Cinematography by | |||
| Peter Greenhalgh | (6 episodes, 1998) | ||
Series Film Editing by | |||
| Jason Krasucki | (3 episodes, 1998) | ||
| Nick McPhee | (3 episodes, 1998) | ||
Series Casting by | |||
| Susie Bruffin | (6 episodes, 1998) | ||
| Liz Vincent-Fernie | (6 episodes, 1998) | ||
Series Production Design by | |||
| Jon Bunker | (6 episodes, 1998) | ||
Series Art Direction by | |||
| Ian Reade-Hill | (unknown episodes) | ||
Series Costume Design by | |||
| Amy Roberts | (6 episodes, 1998) | ||
Series Makeup Department | |||
| Stuart Conran | .... | prosthetics & special effects makeup (unknown episodes) | |
| Elisa Johnson | .... | makeup designer (unknown episodes) | |
| Theresa Kelly | .... | hair stylist / makeup artist (unknown episodes) | |
Series Production Management | |||
| Danielle Brandon | .... | production manager (6 episodes, 1998) | |
| Peter Gallagher | .... | production supervisor (6 episodes, 1998) | |
| Liz Pearson | .... | post-production supervisor (6 episodes, 1998) | |
Series Second Unit Director or Assistant Director | |||
| Sam Harris | .... | first assistant director / second assistant director (unknown episodes) | |
| Ted Rae | .... | second unit director (unknown episodes) | |
| Siobhan Tucker | .... | first assistant director (unknown episodes) | |
Series Art Department | |||
| John Whitby | .... | carpenter (6 episodes, 1998) | |
| Gillie Delap | .... | production buyer (unknown episodes) | |
| Jason Herriott | .... | key scenic (unknown episodes) | |
| John Maher | .... | construction manager (unknown episodes) | |
| Tony Marks | .... | carpenter (unknown episodes) | |
| Kenny Roy | .... | scenic artist (unknown episodes) | |
| Richard Van Den Bergh | .... | model maker (unknown episodes) | |
Series Sound Department | |||
| Orin Beaton | .... | boom operator (unknown episodes) | |
| Wayne Brooks | .... | sound effects editor (unknown episodes) | |
| Matthew Collinge | .... | sound effects editor (unknown episodes) | |
| David Old | .... | dubbing mixer (unknown episodes) | |
| Danny Sheehan | .... | sound editor (unknown episodes) | |
| Trevor Swanscott | .... | foley mixer (unknown episodes) | |
| Ian Voigt | .... | sound recordist (unknown episodes) | |
| Ian Wilkinson | .... | dialogue editor (unknown episodes) | |
| Rowena Wilkinson | .... | foley artist (unknown episodes) | |
Series Visual Effects by | |||
| Chris Roff | .... | digital special effects advisor (6 episodes, 1998) | |
| Duncan Horn | .... | digital special effects editor (unknown episodes) | |
| Robert Minshall | .... | digital compositor: Encore Visual Effects (unknown episodes) | |
| Sean Mullen | .... | digital compositor: Encore Visual Effects (unknown episodes) | |
| Ted Rae | .... | visual effects supervisor (unknown episodes) | |
Series Stunts | |||
| Dino Dos Santos | .... | utility stunts (unknown episodes) | |
| Kevin Rushton | .... | stunt actor (unknown episodes) | |
Series Camera and Electrical Department | |||
| Gary Chaisty | .... | gaffer (unknown episodes) | |
| Nathan Mann | .... | focus puller (unknown episodes) | |
| Ben Philpott | .... | camera operator (unknown episodes) | |
| John Robinson | .... | grip (unknown episodes) | |
| Martin Stevens | .... | camera operator (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Sheila Cullen | .... | wardrobe supervisor (unknown episodes) | |
Series Editorial Department | |||
| Josef d'Bache-Kane | .... | assistant on-line editor (6 episodes, 1998) | |
| Dan Roberts | .... | assistant editor (unknown episodes) | |
Series Other crew | |||
| Fleur Fontaine | .... | production coordinator (6 episodes, 1998) | |
| Kevin Freemantle | .... | production accountant (6 episodes, 1998) | |
| Simon Heath | .... | script editor (6 episodes, 1998) | |
| Emma Short | .... | assistant accountant (6 episodes, 1998) | |
| Jim Allan | .... | location manager (unknown episodes) | |
| Rupert Bray | .... | location manager (unknown episodes) | |
| Carol Saunderson | .... | script supervisor (unknown episodes) | |
| Warner Strauss | .... | assistant location manager (unknown episodes) | |
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This is one of the series I can watch again and again. I love it more and more every time I watch it. It's dark, moody atmosphere pulls you in from the very beginning, and keeps you glued to your seat for the full series.
All six episodes are integral to six hour story line in which Mike Colefield (Jack Davenport) struggles to come to terms with what happened to his friend Jack Beresford (Stephen Moyer), and to choose sides in Humanity's war against Vampires which is nearing it's climax. It will keep you guessing as to who's good, and who's bad until the very end.
I have to say that the series is a bit subtle for a mini-series. There are countless small details that can be overlooked during the first (Or even second in my case ;) Some of the plot elements aren't explained very well either. While this gives the series a "smart" feel to it, it makes it harder to understand.
As I said before I thoroughly enjoyed this series, and I'll pounce on a second season if there ever is one.