Michael Colefield is unwillingly thrust into the nightmarish world of vampires when he discovers a secret government organisation operating undercover within the police when his friend Jack... See full summary »
Victoria Winters comes to Collinwood, an isolated mansion in coastal Maine, to work as a governess, but soon finds herself drawn into a strange, Gothic world of vampires, ghosts and a ... See full summary »
Richard Mayhew leads an ordinary life in London when one day a girl named Door falls, injured, across his path. The next thing he knows, his life is gone and he's pulled into the ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
Michael Colefield is unwillingly thrust into the nightmarish world of vampires when he discovers a secret government organisation operating undercover within the police when his friend Jack disappears under suspicious circumstances on the eve of his wedding. Written by
Mark Smith <email@example.com>
Creator Joe Ahearne never intended to write and direct all six episodes. While the producers commissioned scripts from other writers, they ultimately felt that no other writers or directors understood Ahearn's vision as well as he. The result was that Ahearn's time was consumed with the development of the first series, and he was never able to outline a second arc. Ahearn also admits that he believes high-concept series are best kept short, so that they don't run out of steam and have to be re-invented. See more »
I recant, I repent, I withdraw my previous reserved review. At the time when I first reviewed Ultraviolet (which was some time after I'd actually watched it), Buffy and Angel were at their peak, and slick, quippy vampires were all the rage. But that's been taken as far as it can be. Tiring of the superficiality of the Buffyverse, I decided to give Ultraviolet another try.
Oh my. Oh MY. It's far better than I remember. Yes, the characters are miserable, but it's clearly laid out why this is so, and it all adds to the sense that this is *serious*, and that there are no quick fixes. There are nuances to the character development that I'd missed last time (I recall being distracted and only seeing half of the episodes when I first watched it), and I really, truly felt for them as people (it doesn't hurt that Susannah Harker looks like a melancholy angel, of course). It's underplayed perfectly, with only the occasionally shoddy piece of score to cheapen the tone.
And most of all, I felt for the vampires. These aren't the disposable charicatures of the Buffyverse, and they surpass even the fleshed out characters of Near Dark. They are real, rational people, with real emotions and familiar and touching desires and goals. They just happen to be immortal and drink blood. After you've seen vampires done this way, it makes you question why it should ever be otherwise. Ultraviolet tackles the question "If I was me, but a vampire, what would I do, what would I *actually* be like?" without flinching, trivialising, or slipping up.
There are no tomes of ancient wisdom, no easy answers, and most of all, no black and white morality. Ultraviolet poses the question: if you're always offered the choice to become a vampire, and if you don't have to kill to feed, then where is the crime? Why is it *wrong* to be a vampire? Just because the Church says so?
Ultraviolet leaves the viewer to make up his or her own mind about who the bad guys actually are, and whether there are any good guys in this scenario. It's an interesting and respectful take on the genre.
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