| Benoît Magimel | ... | Marek | |
| Bruno Putzulu | ... | Mimmo | |
| Jean-Yves Chatelais | ... | Stanis, Mark's uncle | |
| Andrea Schieffer | ... | The journalist | |
| Alexander May | ... | Freddy | |
| Eric Savin | ... | Tony | |
| Olivier Parenty | ... | Spitz | |
| Pierre Martot | ... | Frantz | |
| Kader Boukhanef | ... | Ibrahim | |
| Florence Giorgetti | ... | Cabaret woman | |
| André Marcon | ... | Snack owner | |
| Rüdiger Vogler | ... | Jäger |
Directed by | |||
| Florent-Emilio Siri | |||
Writing credits(in alphabetical order) | ||
| Florent-Emilio Siri | writer | |
Produced by | |||
| Marc de Bayser | .... | producer | |
| Frank Le Wita | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Giovanni Fiore Coltellacci | |||
Film Editing by | |||
| Joëlle Dufour | |||
Casting by | |||
| Pierre Sénélas | |||
Production Design by | |||
| Thomas Peckre | |||
Makeup Department | |||
| Laurence Grosjean | .... | assistant makeup artist | |
| Ferouz Zaafour | .... | key hair stylist | |
| Ferouz Zaafour | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Alexandre Billon | .... | second assistant director | |
| Pierre Sénélas | .... | assistant director | |
Sound Department | |||
| Germain Boulay | .... | supervising sound editor | |
| Rémi Clément | .... | dialogue editor | |
| Daniel Ollivier | .... | sound | |
| Christian Riffard | .... | post-production audio | |
| Williams Schmit | .... | sound re-recording mixer | |
| Eric Tisserand | .... | sound | |
| Stéphane Vizet | .... | boom operator | |
Visual Effects by | |||
| Marc Latil | .... | digital artist | |
Camera and Electrical Department | |||
| Rolf Rosendahl | .... | assistant camera | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Edouard Dubois | .... | musician: harmonica solo | |
Other crew | |||
| Raphaël Gonnet | .... | production assistant | |
| Gabi Scheiger | .... | production coordinator: Germany | |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
Siri's film shows a lot of promise and just about manages to sustain interest for it's brief running time, but never seems to get anywhere. Set against a poorly defined impending strike (it is only virtually at the end of the film that we discover it is to save what is described as the last working coal mine in France) and hindered by some confusingly ill-defined family relationships, it follows a couple of young miners tied by their heritage to an industry with no future. They fill in their aimless lives out of the pit with drinking, whoring and bickering, one of them flirting with an apprenticeship with a slick but sleazy German human trafficker-cum-businessman (yet another ill-defined character). When violence finally erupts on the picket line, the two friends have to choose sides: no prizes for guessing the outcome.
While infinitely more cinematic than the equivalent "it's Grim up North" British neo-kitchen sinkers, there's a purposelessness to the film that denies it any real power. It strikes all the right attitudes, but also makes the mistake (for international audiences) of assuming a high level of awareness of the national importance of the real events: without it, the climax seems more contrived than cathartic - less the end of a way in life in a torrent of batons and rubber bullets, more an attempt to bring its characters to a moment of decision that, sadly, has too little resonance for an audience. Well shot, well scored and well intentioned, 'Une Minute de Silence' sadly never lives up to its promise.