| John Lynch | ... | The Man | |
| Jonny Phillips | ... | Captain Mong | |
| Oscar Petersen | ... | Valentine April | |
| Sylvia Esau | ... | The Woman | |
| Jody Abrahams | ... | Small | |
| Serge-Henri Valcke | ... | Rev. Frans Niemand | |
| Mrs. Van Wyk | ... | Owner of the Restaurant | |
| Dina Claasen | ... | Beauty | |
| Anton Stoltz | ... | Owner of the Coffee Shop | |
| Denzel Phillips | ... | Policeman in the Police Station | |
| Morne Visser | ... | Policeman 1 | |
| Sean Arnold | ... | Policeman 2 | |
| Dr. Kleingeld | ... | Doctor | |
| Samuel Bois | ... | Jonas | |
| Robert McCarthy | ... | The Lawyer | |
| Hannes Horne | ... | The Judge |
Directed by | |||
| Marion Hänsel | |||
Writing credits(in alphabetical order) | ||
| Damon Galgut | novel | |
| Marion Hänsel | writer | |
Produced by | |||
| René Goossens | .... | assistant producer | |
| Marion Hänsel | .... | producer | |
| José María Morales | .... | co-producer | |
| Jeremy Nathan | .... | co-producer | |
| Jeremy Nathan | .... | line producer: Catalyst Films | |
| Jacqueline Pierreux | .... | co-producer | |
| René Scholten | .... | co-producer | |
| Eric van Beuren | .... | co-producer | |
Original Music by | |||
| Takashi Kako | |||
Cinematography by | |||
| Bernard Lutic | |||
Film Editing by | |||
| Michèle Hubinon | |||
Casting by | |||
| Moonyeenn Lee | |||
Art Direction by | |||
| Thierry Leproust | |||
Costume Design by | |||
| Yan Tax | |||
Makeup Department | |||
| Dick Naastepad | .... | makeup artist | |
Production Management | |||
| Karen Coetzee | .... | production manager: South Africa | |
| Jacqueline Louis | .... | production manager: Belgium | |
| Lynne Motijoane | .... | executive production manager | |
| Puy Oria | .... | production manager: Spain | |
Second Unit Director or Assistant Director | |||
| Patrick Delabrière | .... | first assistant director | |
| Pluto Panoussis | .... | second assistant director | |
| Dean Schwartz | .... | third assistant director | |
Art Department | |||
| Sjoerd Didden | .... | special props | |
| Darryl Hammer | .... | stand-by props | |
| Annick Leproust | .... | set dresser/props | |
| Gerard Rausch | .... | assistant art director | |
| Stephan Rubens | .... | chief constructor | |
| Hamish Shand | .... | construction foreman | |
Sound Department | |||
| Philippe Baudhuin | .... | sound mixer | |
| Benoît Biral | .... | sound mixer | |
| Sandrine Deegen | .... | sound editor | |
| Anne Frey | .... | dialogue editor | |
| Michèle Hubinon | .... | sound editor | |
| Valène Leroy | .... | assistant sound editor | |
| Jo Masset | .... | post-synchronisation | |
| Stéphane Morelle | .... | boom operator | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
Special Effects by | |||
| Olivier de Laveleye | .... | special effects | |
Camera and Electrical Department | |||
| Jodie Bieber | .... | still photographer | |
| Didier Frateur | .... | first assistant camera | |
| Raymond Fromont | .... | camera operator (as Remon Fromont) | |
| Brad Jensen | .... | best boy grip | |
| Patrick Madonsela | .... | camera trainee | |
| William Masuku | .... | gaffer best boy | |
| Johannes Mokonyama | .... | key grip | |
| Steven Ndu | .... | clapper loader | |
| Bethwell Ngxingolo | .... | camera trainee | |
| Elliot Sewape | .... | gaffer | |
Costume and Wardrobe Department | |||
| Kate Abramovitz | .... | wardrobe | |
Editorial Department | |||
| Anne Frey | .... | assistant editor | |
| Petro van Leeuwen | .... | color corrector | |
Music Department | |||
| Shinichi Tanaka | .... | music recordist (as Shin-Ichi Tanaka) | |
Other crew | |||
| Ethel Williams Abrahamse | .... | production secretary | |
| Clinton Barker | .... | set runner | |
| Wiebina Berrington | .... | script supervisor (as Wiebena Berrington) | |
| Hetta Burger | .... | set runner | |
| Cedric Chetty | .... | location manager | |
| Cecil Joubert | .... | set runner | |
| Bureau Lerminiaux | .... | production accountant | |
| Lucas Lesita | .... | assistant location manager | |
| Véronique Mandron | .... | production secretary | |
| Nadine Marteleur | .... | production secretary | |
| Zelda Noeth | .... | craft lady | |
| Abraham Shiburi | .... | set runner | |
| Arlette Zylberberg | .... | production executive | |
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| Persepolis | Munich | Freeway | Like Minds | Changeling |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Belgium section |
I just finished watching this movie this minute and i don't feel satisfied, it did not get together in the end, maybe that is the whole point when one looks at it on a larger scale concerning the human situation keeping at heart and in mind the stirrings of the soul. i mean this film did have its moments and it did keep me interested and maybe I dare to say that it was overall tight to the subject. I knew way in advance that he would give himself up, due to the fact that he was dealing with The book of books here and the fact that the priest he killed did tell ask him to open up "What are you running away from?" The barren desert areas do suggest a biblical story. Finally the fact that the younger brother not without reason nicknamed "Small" is the greatest and the one who is set free. This film echoes the words of The Lord. I got to point out how other characters besides our hero here have secrets and their share of sins, like the rest of us, which they want to conceal, the conscience is making them feel a sense of shame like the love affair between the chief cop and the lady carer. the cop winds up committing the same crime/sin as our "hero". I like the fact that the hero is shot dead on the rail track which makes a lot of sense since he was, or at least we are given the impression that he has been living a trail of the kind of stuff we are allowed to know of him from when the movie begins, he is already running away.