In Beograd, mid-1990s, 20 people's paths crisscross one night in rage and theater. A callow youth dents a car; its owner hunts him down and trashes his father's flat. Michael, back from ...
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Educator and those educated in a home for juvenile delinquents in the same test: approach, take a peek into his soul to become a man. The story of a minor, neglected boys-offenders and ... See full summary »
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The film tells the story of some folks in Serbia having to deal with the consequences of the war. Most of them don't have to go to the army (yet), but have to live between ruins with bombs ... See full summary »
In Beograd, mid-1990s, 20 people's paths crisscross one night in rage and theater. A callow youth dents a car; its owner hunts him down and trashes his father's flat. Michael, back from abroad, hopes to reclaim Natalia; her new, younger lover seems outclassed. A Bosnian drives a bus to eke out subsistence; his son works the Black Market for a sadist. A cabby buys drinks for a cop he crippled in revenge. Swarthy friends at a gym confess betrayals of each other; violence erupts, then one menaces a woman on a train. Another young woman, traumatized when a knife-wielding youth commandeers her bus, calls for help and ends up with a gun at her head. It's a cabaret macabre. Written by
The best film to come out Yugoslavia in the last 10 years
If you know at least something about the events that took place in former Yugoslavia during the 1990s, you should be able to understand this movie.
Many people have misinterpreted this movie as a vicious depictment of some sick Serbian mentality or an exaggerated vision of a post-war Serbia. None of this is true. The theme of "Cabaret Balkan" is not violence. A great parallel can be made between "Cabaret Balkan" and "A Clockwork Orange". The violence in both movies is not the theme - it's merely an extreme way of proving an important point.
The oppressors and the oppressed. The small fish and the big fish. The dogs and the sheep (rock fans might find interesting similarities between this movie and Pink Floyd's "Animals"). There seems to be certain hierarchy present in "Cabaret Balkan". The passive majority is constantly oppressed by the violent minority, many of whom themselves are victims of "bigger fish". The passive majority is always ready to turn a blind eye, to look the other way or, as a scene from the movie so visually illustrates, sit on a different side of the bus.
Who should the war be blamed on? Is it the government's fault? Or is the fault of the people who elected the government? Should the criminals in power take the blame or the people who let them stay in power? A key scene of the movie which takes place in the bus seems to tell us the most about this issue. "You finally stood up to me", says the young bully to the old man who refuses to play along and answer his insulting questions. In a way, the young bully on the bus is the only real hero of "Cabaret Balkan". He is the only one with the guts to stand up for his rights - everyone else would much rather look the other way, ignore the situation and mind their own business.
The original title of the movie - "Powder Keg", draws its name from an old nickname the Balkan peninsula earned at the beginning of this century - a powder keg ready to explode, with multitudes of people constantly fighting wars, making up, then fighting again. After all, isn't that what all the characters in the movie do? The strange mentality of the Balkan people cannot be easily explained, so director Paskaljevic takes it into extremes and creates extremely surreal scenes, like the one in the boxing ring and the bar. Fight. Drink. Fight. Drink. War. Peace. War. Peace. What's it going to be? Doesn't matter, as long as we're all in "good health".
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