In Beograd, mid-1990s, 20 people's paths crisscross one night in rage and theater. A callow youth dents a car; its owner hunts him down and trashes his father's flat. Michael, back from ...
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In Beograd, mid-1990s, 20 people's paths crisscross one night in rage and theater. A callow youth dents a car; its owner hunts him down and trashes his father's flat. Michael, back from abroad, hopes to reclaim Natalia; her new, younger lover seems outclassed. A Bosnian drives a bus to eke out subsistence; his son works the Black Market for a sadist. A cabby buys drinks for a cop he crippled in revenge. Swarthy friends at a gym confess betrayals of each other; violence erupts, then one menaces a woman on a train. Another young woman, traumatized when a knife-wielding youth commandeers her bus, calls for help and ends up with a gun at her head. It's a cabaret macabre. Written by
As truth can be defined by the observer, it is also guided by the artist. This film is as close to truth in film as one can get. The state of the Balkans is one which cannot be easily defined, but understood, if you understand its peoples. The truth of this film lies in the reactionary maelstrom that has been the Balkans for a very, very long time. The film ties the lives together of many, equally bizarre characters and events which are tied together artistically by a collage of madness and life on the edge of it. Please do not miss this film, and watch it several times if possible.
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