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On Christmas Eve, a regretful husband admits to his high-spirited wife that he has hired a contract killer to take her out. She immediately flees. A nice couple offers her shelter, but everyone have dark secrets in this wacky movie.
Interconnected stories examine situations involving the five senses. Touch is represented by a massage therapist who is treating a woman, while her daughter accidentally loses the woman's pre-school daughter in the park. The older daughter meets a voyeur (vision), a professional house-cleaner has an acute sense of smell, a cake maker has lost her sense of taste, and an older man is losing his hearing. Written by
John Sacksteder <firstname.lastname@example.org>
I liked this movie and, interestingly, my much younger companion did not. Too meandering and so little happening, she said. And that is the quality that I found most appealing and more like real life.
There are gentle stories here woven around the central premise of a young child's disappearance and the reaction to this event is seen as background in many of the scenes which is a technique very cleverly done.
There is also the haunting singing of someone in an apartment in the building where all the interaction and often non-interaction of the other characters takes place. We only see this mystery singer at the end of the movie.
Mary Louise Parker was the only harsh note. I find her performances always stilted, cold and full of a hidden tension not usually necessary to the role she is playing and again she did not disappoint. I did not know what the earthy Roberto saw in her.
I liked very much the character of Raymond searching for the scent of love in all his ex lovers. I have a bias towards movies like these, of the Run Lola Run type. I feel they are more reflective of reality, no Hollywood quick fix endings just a slice of life beautifully acted and photographed that just stays with you a little longer than the A-B plot lines of most movies.
8 out of 10.
4 of 6 people found this review helpful.
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