The story of Fiona and her mother told in eight chapters. Fiona is abandoned at six months of age, raised in foster and adoptive homes, abused, and, still a teen, hustles on the streets of ... See full summary »
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The story of Fiona and her mother told in eight chapters. Fiona is abandoned at six months of age, raised in foster and adoptive homes, abused, and, still a teen, hustles on the streets of New York. We watch her use heroine, fall in love with other women, be pursued by men, engage in murderous violence, hide out in a crack house, and decide to leave the city. We see her mother, also a streetwalker and drug user, occasionally talk about her lost daughter. Fiona has a necklace she was clutching when a foundling. Will mother and daughter meet? Is there a silver lining? Written by
<jhailey@hotmail.com>
Amos Kollek must be crazy. "Fiona" is a film not only about prostitutes and crack addicts. It was an entire supporting cast of the real deal. Not just extras, several of the main characters are actual prostitutes and crack addicts with much of the film shot in a NYC crack house / crash pad. This is about as heavy duty as you can get without it being a documentary. Actually, this is beyond documentary because Kollek is no quiet observer. He's in there as a director working closely with the drug addicts and prostitutes. It's Dogma taken in a weird, dangerous and, inadvertently, titillating direction.
The story follows a young woman, Fiona (Anna Thomson) from her recollections of being sexually abused in a foster home to her adventures on the streets. The plot turns Oedipal as we meet her mother, who is a much more weathered prostitute working the same streets. Eventually, their paths meet and our streetwise Ophelia finally transcends her destiny by taking control of it.
Yeah, it's a simple plot. But the plot is really just a hanger with which a series of vignettes, both shocking and touching, are draped. Kollek's previous film, "Sue" (which also starred Anna Thomson), let him wear his influences on his sleeve as it clearly brings Cassavettes to mind. "Fiona" lets him take it to it's logical extent which, while most people will remember the grim moments, also allowed for some very real moments unlike anything you'll see at the multi-plex.
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Amos Kollek must be crazy. "Fiona" is a film not only about prostitutes and crack addicts. It was an entire supporting cast of the real deal. Not just extras, several of the main characters are actual prostitutes and crack addicts with much of the film shot in a NYC crack house / crash pad. This is about as heavy duty as you can get without it being a documentary. Actually, this is beyond documentary because Kollek is no quiet observer. He's in there as a director working closely with the drug addicts and prostitutes. It's Dogma taken in a weird, dangerous and, inadvertently, titillating direction.
The story follows a young woman, Fiona (Anna Thomson) from her recollections of being sexually abused in a foster home to her adventures on the streets. The plot turns Oedipal as we meet her mother, who is a much more weathered prostitute working the same streets. Eventually, their paths meet and our streetwise Ophelia finally transcends her destiny by taking control of it.
Yeah, it's a simple plot. But the plot is really just a hanger with which a series of vignettes, both shocking and touching, are draped. Kollek's previous film, "Sue" (which also starred Anna Thomson), let him wear his influences on his sleeve as it clearly brings Cassavettes to mind. "Fiona" lets him take it to it's logical extent which, while most people will remember the grim moments, also allowed for some very real moments unlike anything you'll see at the multi-plex.