A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but ... See full summary »
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In the 80's Roberto Succo an Italian serial killer met a young girl in France. He's running away from his country because he killed his parents during an argument and the "carabinieri" are chasing him.
Isild Le Besco,
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Marie Louise Wille,
Helle Merete Sørensen
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Laurence Ferreira Barbosa
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A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can't name - a quest that slowly begins to undermine his certainties. Written by
L.H. Wong <email@example.com>
Abstinence is turning you sour; give it up.
Really? Do I know her?
No, I met her in odd circumstances a few weeks ago.
Really? You must be pleased.
You're quite wrong, I don't like her at all. She's totally uninteresting. I'm trying to get rid of her.
Why? Is she ugly?
Is she stupid then?
No. Not at all. She never says anything stupid. It's complicated. She bores me. I have no contact with her. Or rather only physical contact.
[...] See more »
Good as light entertainment, unconvincing as a "deep" movie
I came across this movie unexpectedly while watching TV late at night. This is probably the best context you can watch this movie in, as fairly light entertainment, with a story I can generally relate to, a pretty lead actress and a frequency of love scenes that is characteristic only of French art house or Californian porn movies. As a serious film though, "L'ennui" does not manage to pull it off -- probably the classic case of a good book being transformed into a lesser movie. The male character comes across as a schoolboy high on testosterone, not the philosophy teacher he is supposed to be (incidentally a position that exists only in French movies where no one ever has to do any real 9 - to - 5 work), the sex scenes in all their explicitness are curiously prudish (the lovers always appear to do it fully dressed and panting as if they had just completed the Ironman contest), and Cécilia's part is just too one - dimensional. Nevertheless, I found the movie entertaining, and it really made me want to read the book (by Alberto Moravia). And you can't say that about too many movies nowadays, can you?
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