A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
1964 in small town Washington state. Selma Jezková, a Czechoslovakian immigrant, and her preteen son Gene live in a rented trailer owned by and on the property of married Bill and Linda Houston, he the town sheriff. Beyond Bill and Linda, Selma has a small group of friends who look out for her, including her primary confidante, Kathy, with who she works, and Jeff who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace long before the end of her shift to drive her home, despite she always refusing in not wanting to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind, her medical condition being genetic. Selma is barely able to see, just enough to do her job. Her primary reason for moving to the US and for working all the time is to earn enough money for an operation for Gene when he turns thirteen, he who ... Written by
While known among DV filmmakers as being filmed with anamorphic lenses to obtain a 2.35:1 aspect ratio, this is not entirely true; anamorphic lenses were only used on the infamous "100 cameras" for the musical numbers. The rest of the film (along with close-ups in the musical numbers) was shot with a larger camera in 16x9, which was then cropped to the final 2.35:1 aspect ratio. See more »
When Kathy shows up to help Selma on the night
shift, she is speaking, but her mouth is clearly not saying the words we hear. See more »
If this relationship was made up by the defendant, then, can you think of any way she might have come to know your name?
I was once well known in Czechoslovakia, because of my profession.
Yes, Mr. Oldrich Novy, what is your profession? Maybe that can give us a clue to why, why this somewhat romantic, certainly Communistic, woman who worships Fred Astaire, but not his country, why she might have lied and misused your name - make everybody think that all the money was spent on a poor father and ...
[...] See more »
As a fan of Lars Von Trier's earlier works, as well as Bjork's music videos, I was quite excited to see a collaboration between the two. I tried not to expect much, however, as many reviews of the film were quite poor. I couldn't have been more delighted by the film. Bjork's acting ability was superb (it is a shame she will not be acting in the future), and Lars Von Trier's writing and direction proved to be intense and incredible. While he played with different themes in the genres of the Musical, the Neo-Realist film, and the Melodrama, he created a meta film, investigating human nature as well as the nature of film (or digital video) itself. An incredibly emotional film, it also proved to be poignantly intellectual.
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