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Dancer in the Dark (2000)

 -  Crime | Drama | Musical  -  6 October 2000 (USA)
8.0
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Ratings: 8.0/10 from 63,897 users   Metascore: 61/100
Reviews: 676 user | 174 critic | 33 from Metacritic.com

An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

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(as Lars Von Trier)

Writer:

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Nominated for 1 Oscar. Another 28 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
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Oldrich Novy
...
Linda Houston
Vladica Kostic ...
Gene Jezkova
...
Norman
...
Samuel
...
Brenda
...
District Attorney
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...
Morty
Reathel Bean ...
Judge
Mette Berggreen ...
Receptionist
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Storyline

Selma Jeskova is an immigrant from East Europe living in America, who works in a factory as a worker. She is a sweet and naive person and love musicals. She has a degenerative disease and is becoming blind. She works hard, including in the night shift, to save all the money she can get to permit her son Gene to be submitted to an eyes surgery when he reaches thirteen years old. Her unique entertainment is the theater, where she rehearses 'The Sound of Music' at night, and going to the movie theater with her best friend and colleague Kathy. Selma lives in a trailer rented by Bill Houston and his wife Linda. Bill is a police officer, who spends more than he earns, to satisfy the requests of his beloved wife. One day, Bill finds where Selma keeps her money and steals her. A tragedy happens when she claims her money back. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

In a world of shadows, she found the light of life. See more »

Genres:

Crime | Drama | Musical

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Language:

Release Date:

6 October 2000 (USA)  »

Also Known As:

Dancer in the Dark  »

Filming Locations:

 »

Box Office

Budget:

$12,800,000 (estimated)

Opening Weekend:

$80,652 (Netherlands) (27 October 2000)

Gross:

ESP 290,047,040 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

While known among DV filmmakers as being filmed with anamorphic lenses to obtain a 2.35:1 aspect ratio, this is not entirely true; anamorphic lenses were only used on the infamous "100 cameras" for the musical numbers. The rest of the film (along with close-ups in the musical numbers) was shot with a larger camera in 16x9, which was then cropped to the final 2.35:1 aspect ratio. See more »

Goofs

When Bill tells Selma he has no money, Selma's hair repeatedly switches from being over her ears, to being tucked behind them. See more »

Quotes

Selma: You like the movies, don't you?
Bill Houston: I love the movies. I just love the musicals.
Selma: But isn't it annoying when they do the last song in the films?
Bill Houston: Why?
Selma: Because you just know when it goes really big... and the camera goes like out of the roof... and you just know it's going to end. I hate that. I would leave just after the next to last song... and the film would just go on forever.
See more »

Connections

Referenced in Chicago (2002) See more »

Soundtracks

IN THE MUSICALS, PART 2
Written by Björk, Mark Bell, Sjón Sigurdsson & Lars von Trier
Performed by Björk & Joel Grey
Arranged by Björk & Vincent Mendoza
Orchestrated & Conducted by Vincent Mendoza
Produced by Björk & Mark Bell
Mixed by Mark Stent (as Mark "Spike" Stent)
Published by Universal Music, Warp/EMI Music & Copyright Control
See more »

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User Reviews

 
A "Musical" like no other before it...
9 October 2000 | by (Milwaukee, WI) – See all my reviews

Gene Kelly's musicals may never have tempted a tear, but this film sure did. This is the most creative and powerful film I've seen this year. I just got back so it will take a while to absorb where it fits in the hierarchy of great movies, but it is one of the few 10's I have ever given on IMDB. I went in knowing nothing other then that Bjork was the lead and that it was a Cannes favorite, I and was rewarded greatly. I am not closed minded, but I thought I would never again find a musical that so wrapped you up in the emotional core of the piece, such as the musicals that I enjoyed in my youth. Its style is experimental enough that I would be surprised if it got a Best Film Oscar nod, but never would I be surprised for any honors bestowed on Bjork, who torturingly WAS Selma for those two painful hours. She is a goddess.


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Message Boards

Recent Posts
Just awful rob-asbell
Selma is a murderer with a low IQ, I feel sorry for her orphan nickymelnar
Most depressing movie I have ever seen. PerceptiveGal
Did anyone NOT cry?... justsomerandomirrelevantweirdo
Not convinced by Bjorks acting abilities tallbird50
view of America richee-1
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