In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her ... See full summary »
Orestes Villasan Rodríguez,
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Selma has emigrated with her son from Central Europe to America. The year is 1964. Selma works day and night to save her son from the same disease she suffers from, a disease that inevitably will make her blind. But Selma has the energy to live because of her secret! She loves musicals. When life feels tough she can pretend that she is in the wonderful world of musicals...just for a short moment. All happiness life is not able to give her she finds there... Written by
Fredrik Klasson <firstname.lastname@example.org>
Writer-director Lars von Trier's first draft screenplay was called "Taps" and featured tap dancing in every scene. Choreographer Vincent Paterson convinced von Trier that it would be far too difficult, if not impossible, to teach something as "technical" as tap dancing to Björk and the other cast members within a reasonable period of time. Von Trier rewrote the screenplay so that the songs would be more in the style of "traditional" Hollywood musicals, but retained some of the tap-dancing motif with the character of Oldrich Novy. See more »
Surname of Selma's son should be a Jezek, not Jezková. See more »
When I was driving to see this movie, I wondered how I was going to react to the film. Lars Von Trier had always been one of my favorite directors, but I was unsure if I was going to enjoy this film. After watching the film, I half to say that this was one of the best films I had ever seen. Lars von Trier used handheld cinematography perfectly and I was especially impressed by how he operated the camera himself. Also the way he used lighting and still cameras in the music sequences expressed the surreal daydreams of Selma.
Selma, played by Bjork, is a strong willed yet kind character who is hit by a series of bad events. Bjork plays this role so convincingly it is almost uncomfortable to watch. She doesnt act more than emote the character.
With Lars Von Trier directing and great acting, this is far and away the best film of the year. Its unfortunate that America didn't give the recognition the film deserved.
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