Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her ... See full summary »
Orestes Villasan Rodríguez,
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Selma Jeskova is an immigrant from East Europe living in America, who works in a factory as a worker. She is a sweet and naive person and love musicals. She has a degenerative disease and is becoming blind. She works hard, including in the night shift, to save all the money she can get to permit her son Gene to be submitted to an eyes surgery when he reaches thirteen years old. Her unique entertainment is the theater, where she rehearses 'The Sound of Music' at night, and going to the movie theater with her best friend and colleague Kathy. Selma lives in a trailer rented by Bill Houston and his wife Linda. Bill is a police officer, who spends more than he earns, to satisfy the requests of his beloved wife. One day, Bill finds where Selma keeps her money and steals her. A tragedy happens when she claims her money back. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Writer-director Lars von Trier's first draft screenplay was called "Taps" and featured tap dancing in every scene. Choreographer Vincent Paterson convinced von Trier that it would be far too difficult, if not impossible, to teach something as "technical" as tap dancing to Björk and the other cast members within a reasonable period of time. Von Trier rewrote the screenplay so that the songs would be more in the style of "traditional" Hollywood musicals, but retained some of the tap-dancing motif with the character of Oldrich Novy. See more »
Even though Selma is from Czechoslovakia, her accent is not Czech nor Slovak. See more »
It feels awkward to attempt to put Dancer in the Dark into words. Von Trier's film is one of those movies that truly change the way we think about cinema and its possibilities, and for such a film, words do no justice. Dancer in the Dark centers around Selma (Björk), a factory worker, who loves her 10-year-old son above everything else in the world. Selma is a happy, innocent creature who enjoys musicals for "nothing bad ever happens in them". These elements (mother's love for her son, joyfulness of musicals versus the hardships of every day life) create a whole unlike anything ever seen on silver screen. Selma is rapidly losing her eye sight, but not her vision: she's the 'dancer in the dark' who is prepared to sacrifice herself to keep the light in her child's eyes. Very early on it becomes obvious that this story can't have a happy ending. However, once you've accepted it, you can put your mind at ease and see the film as it unfolds from Selma's point of view. And what a view it is! Björk gives a performance of a life time - this little woman with a huge voice is all emotion all the time without ever appearing overtly dramatic or cheaply sentimental. There's no weak link in the rest of the cast either, Peter Stormare as Jeff, Catherine Deneuve as Kathy and Siobhan Fallon as the prison guard to name but a few. The biggest star is still the director himself; von Trier demonstrates his talent in a superb fashion by both telling a simple story that will most likely break you heart and examining the ever-persistent ills of the life of the lower class of the American society. What about the film's musical character then? This is where von Trier triumphs the most by understanding the very essence of the whole genre - hope; hope that will live in our soul for ever if we'll only follow our heart.
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