A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Selma has emigrated with her son from Central Europe to America. The year is 1964. Selma works day and night to save her son from the same disease she suffers from, a disease that inevitably will make her blind. But Selma has the energy to live because of her secret! She loves musicals. When life feels tough she can pretend that she is in the wonderful world of musicals...just for a short moment. All happiness life is not able to give her she finds there... Written by
Fredrik Klasson <firstname.lastname@example.org>
When the workers are shown leaving the factory near the beginning of the film, we can briefly see a man and a woman, each holding a baby, waiting in the parking lot. The woman is Bente Frøge Trier, wife of writer-director Lars von Trier; the two infants are their twin sons. Von Trier originally cut these cameos out of the film, but reinserted them following protests from his wife. See more »
Even though Selma is from Czechoslovakia, her accent is not Czech nor Slovak. See more »
You like the movies, don't you?
I love the movies. I just love the musicals.
But isn't it annoying when they do the last song in the films?
Because you just know when it goes really big... and the camera goes like out of the roof... and you just know it's going to end. I hate that. I would leave just after the next to last song... and the film would just go on forever.
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This is one of the best movies I have ever seen. I was not familiar with the director's previous work, but had picked up the soundtrack by Bjork and was intrigued.
Selma (incredibly portrayed by Bjork) makes the audience laugh and weep simutaneously just by following her heart. Every character is played flawlessly, and the cinemetography is innovative and dynamic. The musical numbers jump to life in a 'colorized' style, emphasizing the break from the dismal reality of Selma's painfully decaying life.
I will say only this. I hate crying at movies. Yet, as I was driving home, mad at the fact that I was still sobbing uncontrollably, I realized how much I loved this movie.
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