In June, 1983, in Dutchess County, New York, Sebastian Cole joins his mother, step-father, and sister for dinner. Hank, Sebastian's step-father, drops a bomb: he announces he's changing ... See full summary »
A psychological drama about an unstable man, tormented by nightmares, who seeks help from a shrink but is pushed over the edge into increasingly dangerous, psychotic territory by a relationship he is unable to control.
BRINGING RAIN is the story of boarding school students that have suffered a scarring accident. Stuck together for the last month of school, they are faced with either dealing with the ... See full summary »
Paz de la Huerta,
When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. ... See full summary »
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Morgan J. Freeman
Brendan Sexton III,
101 Ways (the things a girl will do to keep her Volvo) chronicles the epic adventures of Watson (Wendy Hoopes), a struggling young writer who moves to the quiet suburbs to write her first ... See full summary »
In June, 1983, in Dutchess County, New York, Sebastian Cole joins his mother, step-father, and sister for dinner. Hank, Sebastian's step-father, drops a bomb: he announces he's changing sexes. Sebastian's sister splits immediately for California, and his mother takes him back to England. Jump ahead eight months, Sebastian is back in New York, knocking on Hank's door. Hank (now Henrietta, although all the surgeries aren't complete) takes Sebastian in and is his rock over the next few months of high school. Sebastian's "adventures" are mostly self-destructive. Written by
The film is criticized for not going anywhere, but I think this is because some critics can't handle a storyline that doesn't have an action-based, simplified plot. The story is coherent and flows well. There is no wasted time - small moments are significant. The visual symbolism (such as the arrow that falls between Sebastian and Mary) is fantastic, as is the dialogue. There is no empty imagery.
Many films rely too much of the visual element. The writing was great, and so was the camera work. And the acting. Bravo to the whole crew.
I hope that Tod Williams is in it for the long haul and writes _and_ directs more work of his own, and soon. If someone out there knows him and thinks he needs an ego boost on a bad day, please pass this along.
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