| Lawrence Montaigne | ... | Kenneth Alden | |
| Jo Anne Meredith | ... | Valerie Alden | |
| Elizabeth Plumb | ... | Stacy | |
| Frank Cuva | ... | Marco Everson | |
| John Vincent | ... | Morlock | |
| Sharon Cook | ... | Debbie | |
| Diane Jones | ... | Patricia | |
| Luanne Roberts | ... | Pamela | |
| David Astor | ... | The Counterman | |
| Lynn Lyon | ... | The Dancer | |
| Judy Lang | ... | Trish | |
| Charles Victor | ... | Valerie's Doctor | |
| rest of cast listed alphabetically: | |||
| Alice Friedland | ... | Alice (uncredited) | |
Directed by | |||
| Robert Vincent O'Neill | (as Robert Vincent O'Neil) | ||
Writing credits | ||
| Robert Vincent O'Neill | (written by) (as Robert Vincent O'Neil) | |
Produced by | |||
| Lou Horowitz | .... | executive producer | |
| Gerry Huffaker | .... | associate producer | |
| Robert Vincent O'Neill | .... | producer (as Robert Vincent O'Neil) | |
| William Rowland | .... | producer | |
Original Music by | |||
| Norma Green | |||
| Jim Helms | |||
| Gary Le Mel | (as Gary LeMel) | ||
Film Editing by | |||
| Stanley Rabjohn | (as Stan Rabjohn) | ||
Art Direction by | |||
| Ray Markham | |||
Makeup Department | |||
| Sheri Steward | .... | makeup artist (as Sherry Steward) | |
Production Management | |||
| Gary Kent | .... | production manager | |
Art Department | |||
| Osama M. Kawar | .... | props | |
| James Stinson | .... | set dresser (as Jim Stinson) | |
Sound Department | |||
| Donald M. Jones | .... | sound (as Don Jones) | |
Camera and Electrical Department | |||
| Chuck Hutchinson | .... | key grip | |
| Eric Maxwell | .... | assistant camera | |
| Melton Maxwell | .... | lighting (as Mel Maxwell) | |
| Robert Maxwell | .... | camera operator (as Bob Maxwell) | |
Costume and Wardrobe Department | |||
| Nancy Stone | .... | wardrobe | |
Editorial Department | |||
| Steve Faber | .... | editorial consultant | |
Other crew | |||
| Kay Pentecost | .... | script girl | |
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| So Sweet, So Dead | Tightrope | Psycho | River's Edge | Freeway |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
Dare I confess to admiring this misogynist wallow in depravity? Say what you will about its politics, THE PSYCHO LOVER is way above average of its type in terms of cinematography, editing and entertainment value. The plot concerns a psychiatrist who is treating a patient who police suspect of being a serial rape murderer. The film is punctuated by several almost psychedelic attack scenes, which bristle with an energy rarely seen in films of this budget. Ultimately the doctor tries to use the killer as a tool to release him from his miserable marriage, attempting to hypnotize his patient to do his bidding. This sequence must be seen to be believed: as the diminutive woman-hater sleeps he is plagued by visions of his victims. Acid rock cranks on the soundtrack, a woman with Gene Simmons makeup whispers "Kill...kill," another go-go dances. It doesn't get any better than this, folks. And hardly anyone lives happily ever after. The director also made the equally mean-spirited BLOOD MANIA which is worth a look, but PSYCHO LOVER deserves a cult following.