| Photos (see all 17 | slideshow) | Videos |
| Noah Wyle | ... | Steve Jobs | |
| Joey Slotnick | ... | Steve Wozniak | |
| J.G. Hertzler | ... | Ridley Scott | |
| Anthony Michael Hall | ... | Bill Gates | |
| Wayne Pére | ... | Captain Crunch | |
| Sheila Shaw | ... | Mrs. Wozniak | |
| Gema Zamprogna | ... | Arlene | |
| John Di Maggio | ... | Steve Ballmer (as John DiMaggio) | |
| Josh Hopkins | ... | Paul Allen | |
| Gailard Sartain | ... | Ed Roberts | |
| Allan Kolman | ... | Therapist | |
| Richard Waltzer | ... | Homebrew Tech | |
| Harris Mann | ... | Longhair #1 | |
| Clay Wilcox | ... | Longhair #2 | |
| Marcus Giamatti | ... | Dan Kottke | |
| Melissa Suzanne McBride | ... | Elizabeth Holmes (as Melissa McBride) | |
| Jeffrey Nordling | ... | Mike Markkula | |
| Marc Worden | ... | Chris Larson | |
| Kelly Mullis | ... | Prostitute | |
| Rene Rivera | ... | Pimp | |
| Rod Roeser | ... | Albuquerque Executive | |
| Lynne Marie Stewart | ... | Bill's Secretary | |
| Nikita Ager | ... | Apple Receptionist | |
| Brian Gattas | ... | Adamson | |
| Paul Popowich | ... | Jones | |
| Doug Cox | ... | Job Applicant | |
| Michael Francis Clarke | ... | IBM Executive #1 | |
| Michael Bryan French | ... | IBM Executive #2 | |
| Gerald McCullouch | ... | Rod Brock | |
| Tammy Brady Conrad | ... | Young Skating Woman (as Brady Conrad) | |
| Allan Royal | ... | John Sculley | |
| Bodhi Elfman | ... | John Gilmore (as Bodhi Pine Elfman) | |
| Holly Lewis | ... | Xerox Project Manager | |
| Robert Daniel Phelps | ... | Xerox Executive | |
| Brian Lester | ... | Charles Simonyi | |
| Michael Chieffo | ... | Airline Clerk #1 | |
| Wanda Christine | ... | Airline Clerk #2 (as Wandachristine) | |
| Karl Wiedergott | ... | Mac Designer | |
| Brooke Radding | ... | Little Lisa | |
| Kitty Swink | ... | Woman | |
| Alexander Enberg | ... | Photographer | |
| Cardella Di Milo | ... | Ella Fitzgerald (as Cardella Demillo) | |
| Robert Pierce | ... | Jazz Band Player #1 | |
| Sherman Ferguson | ... | Jazz Band Player #2 | |
| Louie Spears | ... | Jazz Band Player #3 | |
| Louis Taylor | ... | Jazz Band Player #4 | |
| rest of cast listed alphabetically: | |||
| Grady Hutt | ... | (unconfirmed) | |
| Michael Laren | ... | IBM singer | |
| Dean Chambers | ... | Corporate Execuitive (uncredited) | |
| Diane Robin | ... | Irate Woman (uncredited) | |
| Nicholas Wilde | ... | Xerox Designer (uncredited) | |
Directed by | |||
| Martyn Burke | |||
Writing credits(WGA) | ||
| Paul Freiberger | (book "Fire in the Valley") and | |
| Michael Swaine | (book "Fire in the Valley") | |
| Martyn Burke | (written by) | |
Produced by | |||
| Joseph Dougherty | .... | co-executive producer | |
| Steven Haft | .... | executive producer | |
| Nick Lombardo | .... | executive producer | |
| Leanne Moore | .... | producer | |
Original Music by | |||
| Frank Fitzpatrick | |||
Cinematography by | |||
| Ousama Rawi | |||
Film Editing by | |||
| Richard Halsey | |||
Casting by | |||
| Lisa Freiberger | |||
Production Design by | |||
| Jeff Ginn | |||
Art Direction by | |||
| Brandt Gordon | |||
Costume Design by | |||
| May Routh | |||
Makeup Department | |||
| Selina Jayne | .... | makeup department head | |
| Timothy A. Miguel | .... | makeup artist | |
| Tracy Warbin | .... | makeup artist: Mr. Wyle | |
Production Management | |||
| Bryan Gawron | .... | post-production supervisor | |
| Sue Jennings | .... | production supervisor | |
| Leanne Moore | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Aaron Barsky | .... | first assistant director | |
| Christina Fong | .... | second assistant director | |
| Basil Grillo | .... | second second assistant director | |
Art Department | |||
| Ellis J. Barbacoff | .... | assistant property master | |
| Tony Bonaventura | .... | property master | |
| Joshua Foster | .... | set dresser | |
| David Pirinelli | .... | lead man | |
| Gaston Wurth | .... | set dresser | |
| Abigail Sheiner | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Stephen Halbert | .... | sound | |
| Vince Nicastro | .... | foley artist | |
| Phillip Seretti | .... | sound re-recording mixer | |
| Phillip Seretti | .... | sound supervisor | |
| Janja Vujovich | .... | post-production sound coordinator | |
Visual Effects by | |||
| Sam Nicholson | .... | visual effects supervisor | |
| Victor Scalise | .... | visual effects editor | |
| Jaison Stritch | .... | 3D visual effects supervisor | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunts | |
| Rick Avery | .... | stunts | |
| Jacob Chambers | .... | stunt double | |
| Laura Lee Connery | .... | stunts | |
| Chris Howell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Julian de la Pena | .... | electrician | |
| Jack M. Guberman | .... | best boy electric | |
| Sergio Gutierrez | .... | dolly grip (as Sergio 'Ponch' Gutierrez) | |
| Jennifer Ann Henry | .... | second assistant camera: second unit | |
| Doug Hyun | .... | still photographer | |
| Ross Judd | .... | camera operator | |
| Jeff Levy | .... | gaffer | |
| Ernesto Pérez | .... | best boy grip | |
| Gary Tachell | .... | first assistant camera | |
| Randy Tambling | .... | key grip | |
| R. Gern Trowbridge | .... | best boy electric | |
| R. Gern Trowbridge | .... | rigging chief lighting technician | |
Editorial Department | |||
| Debra Light | .... | assistant editor | |
Music Department | |||
| Ted Blaisdell | .... | score mixer | |
| Tanya Noel Hill | .... | music editor | |
| David Tobocman | .... | music producer | |
Transportation Department | |||
| Tony Barattini | .... | driver: set dress | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Steve Larson | .... | transportation dispatcher | |
| Hardy Ophuls | .... | picture car coordinator | |
| John Pellegrino | .... | driver | |
Other crew | |||
| Maxine Bergen | .... | script supervisor | |
| Mark Bronson | .... | post-production accountant | |
| John C. Bush | .... | on-set playback | |
| David A. Foster | .... | location manager | |
| Michael J. Fowler | .... | computer playback operator | |
| Paul Harrison | .... | key assistant location manager | |
| Anna E. Hayward | .... | set production assistant | |
| Randy McKenney | .... | stand-in | |
| Kyle Oliver | .... | assistant location manager | |
| Nadia Paine | .... | assistant: Mr. Lombardo | |
| Patti Small | .... | production accountant | |
| Mark Trapenberg | .... | set production assistant | |
| Jen Wall | .... | production coordinator | |
| Gordon Weiske | .... | assistant to director | |
| Lang Yee | .... | assistant accountant | |
| Stephen Bridgewater | .... | drama coach (uncredited) | |
| Jack E. Herman | .... | extras set coordinator (uncredited) | |
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| Antitrust | Private Parts | The Nanny Diaries | Into the Wild | Music Within |
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A flawed but intriguing character study of two of the most extraordinary individuals of our modern technological era.
The movie is historically inaccurate. Nevertheless, it manages to capture the essence of how much of modern computing came to be: the cluelessness of Xerox about what its own computer scientists were doing; Steve Jobs' artistic vision at Apple; and Bill Gates' ruthless business practices at Microsoft. And you will be fascinated by how these men got where they are today.
The movie isn't very kind to either Jobs or Gates, emphasizing their negative qualities. Steve Jobs is presented as a visionary, but also as a slavedriver and someone who refuses to accept that he's the illegitimate father of a young girl.
Gates is portrayed in an even less flattering way--as some kind of outright sociopath who is driven to destroy all those who try to do business with him. Still, as long as you recognize that the portrayals are negatively slanted, you will be rewarded by witnessing the interplay among the famous triangle: Adele Goldberg (not explicitly named in the movie), the leader of Xerox's research team; Steve Jobs, who ripped her off and incorporated those technologies in the new Macintosh; and Bill Gates, who ripped off Jobs and incorporated those technologies in the newer Windows product.
The movie does suffer from several historical inaccuracies. I believe that at least some of those inaccuracies were deliberate--attempts to oversimplify the historical record in order to shorten the length of the movie. For example, the movie makes it appear that Apple's first attempt at a computer with a modern graphical user interface--the Lisa--was a tremendous success, when in fact it was a commercial failure. But portraying it as a success made it simpler to explain why Bill Gates got interested in dealing with Apple at that time.
While the movie is long, it would have been even better as a two-day or three-day miniseries. That would have enabled some of the historical record to be explored at greater depth, eliminating the need for this deliberate vast oversimplification.