While Microsoft may be the biggest software company in the world, not every computer user is a fan of their products, or their way of doing business. While Microsoft's Windows became the ... See full summary »
Richard M. Stallman,
CODE 2600 documents the Info-Tech Age, told by the events and people who helped build and manipulate it. It explores the impact this new connectivity has on our ability to remain human while maintaining our personal privacy and security.
In the high-tech gold rush of modern Silicon Valley, the people most qualified to succeed are the least capable of handling success. A comedy partially inspired by Mike Judge's own ... See full summary »
This is a semi-humorous biographical film about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Corporation and Microsoft Inc. Written by
At the 1999 Macworld conference, shortly after the premiere of this TV movie, the introductory comments were made not by Steve Jobs, but by Noah Wyle, reprising his role in this movie. The real Jobs emerged shortly after and traded jokes with Wyle. See more »
In 1980, Ballmer, Allen and Gates are using an IBM PC XT and an AT. However, neither was available at that time. The PC was announced in 1981, the XT in 1983 and the AT in 1984. See more »
I don't want you to think of this as just a film - some process of converting electrons and magnetic impulses into shapes and figures and sounds. No. Listen to me. We're here to make a dent in the universe. Otherwise, why even be here? We're creating a completely new consciousness, like an artist or poet. That's how you have to think of this. We're rewriting the history of human thought with what we're doing.
Right. Well, Steven, at the moment I'm a touch more worried about getting...
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Janja Vujovich is credited as "Post Sound Goddess". See more »
This is an engaging historical-fiction look at the development of the famous computer companies Apple and Microsoft. The performances are terrific, but the film suffers from trying to handle several main characters and cover a lot of historical events. It is also unfortunate that there are three main characters all named "Steve."
The story is told from the perspective of Steve Wozniak (Joey Slotnik), who is portrayed as a gentle head and caring foil to Noah Wyle's brilliant but cruel portrayal of Steve Jobs, Wozniak's Apple co-founder. Anthony Michael Hall obviously has a wonderful time playing the weaselly Bill Gates.
The title is a pun referencing both the buccaneering style Jobs celebrated at Apple, and the idea of unethically 'pirating' the computer developments of other engineers. The film's main point is that both Apple and Microsoft gained their key functionality, the image-based screen display of a computer system (GUI) and the 'mouse' pointing device, by 'pirating' the ideas. Apple swipes them from Xerox, then Microsoft swipes them from Apple.
This is a personality study and not a technical review, and while that may make it more accessible the film doesn't make it entirely clear why Jobs provides so much access to Gates and his crew (presumably Gates is supposedly modifying his computer language, BASIC, to work on the Apple?)
I'd have to know a lot more about Wozniak, Jobs, and Gates before judging them from this film, which is especially hard on Jobs. Wyle portrays him as a selfish and arrogant adolescent, exploiting and manipulating friends and subordinates. Altogether the film is worth watching, but bittersweet and possibly slanted.
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