A fading Broadway entertainer takes a job as a domestic to get background for a part in a new musical.

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Cast

Complete credited cast:
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Grace Hayden
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Freddy Hayden (as Lind Hayes)
Don Lee & Louise
Marvin Jensen ...
Marvin Jensen
The Ritz Quartette ...
The Ritz Quartette
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Storyline

While his roommates want to study, college student Freddy Hayden instead wants to practice to become a singing star on the radio. His roommates believe Freddy's is a foolhardy dream, until Freddy starts to tell them about his family background. He comes from a show business family. His mother, Grace Hayden, was a featured actress/singer in the Continental Follies of 1933. She, who would rather Freddy focus on his studies, currently is working as a maid on Long Island. Freddy thinks he's got his big break when, using an old contact of his mother's, gets a part in a benefit show on Long Island. That show becomes an illuminating experience for the snooty Mrs. Skinner, one of the benefit's organizers who thinks herself above "the common folk". Written by Huggo

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Genres:

Comedy | Musical | Short

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Release Date:

23 May 1936 (USA)  »

Also Known As:

Broadway Brevities (1935-1936 season) #25: Maid for a Day  »

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1.37 : 1
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Trivia

Vitaphone production reels #1973-1974 See more »

Soundtracks

You're the Cure for What Ails Me
(uncredited)
Music by Harold Arlen
Played when the women are selling programs at the theater
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User Reviews

 
Neat little vest-pocket musical
30 December 2006 | by (United States) – See all my reviews

Starring real-life mother and son Grace and Peter Lind Hayes as mother and son on screen, "Maid for a Day" is a neat little 20-minute musical short that falls back on some clichés (notably the one about the middle-aged entertainer desperate to see her son go to college and Make Something of Himself, while he wants to pursue the same sort of theatrical career she did) but also has some surprisingly lavish dance numbers (notably the spectacular tango performed by dance team Don Lee and Louise) and some nice little satirical barbs aimed at the ultra-rich residents of a beach community who don't want to have to mingle with their, ugh, servants at the beach. (Sounds an awful lot like some of the recent controversies between Hollywood stars and coastal activists over access to Malibu!) This is a charmer, though your plot synopsis gives away the big twist at the end and I wondered why Grace Hayes' big song early on is introduced by a blackface chorus but she herself is given only a very light makeup job (my guess is to make sure the audience still was able to recognize Grace Hayes, which they might not have had she done full blackface).


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