Rufus Lindner finally made it - his first movie is in production. The story is quite simple: The Pope's underground agents have always deleted VIPs that were in the Vatican's way. Now, Kai ... See full summary »
80 minutes to live or die. Alex got injected with a high tech poison by his creditor and put on a time clock to pay his debt back in 1 hour and 20 minutes. Will he make it or even further ... See full summary »
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in Tequila and decide to take one last trip to ... See full summary »
Jan Josef Liefers,
Thierry van Werveke
Jakob Windisch has written THE number one bestselling novel. Since he is very shy, no-one has seen him except Uhu Zigeuner who is the designated director of the film adaption. Zigeuner is ... See full summary »
Guido, Nina, Bernhard and Markus are best friends (=Busenfreunde). They have known each other already as kids and now are twenty-somethings, all singles, all cynical and busy with either ... See full summary »
Jan Josef Liefers,
Rufus Lindner finally made it - his first movie is in production. The story is quite simple: The Pope's underground agents have always deleted VIPs that were in the Vatican's way. Now, Kai Rabe is about to reveal all the crimes. He has to deal with sinister monks and secret agents. But one day, the leading actress is murdered. Rufus, the first-time director, has to deal with many problems now: His ever-drunk teen-idol Kai Rabe rents two Israelian bodyguards who shoot just a little too quickly, his reckless producer wants the show to go on, even after the second murder took place, his set is disturbed by an investigating policeman who falls in love with a beautiful actress who happens to be the playwright's sister. What's next? Written by
Julian Reischl <firstname.lastname@example.org>
While Knocking on Heaven's Door had a bunch of too serious moments trying to supply the movie with emotions, this second Thomas Jahn movie is an absolute pleasure because it's almost a parody. Every character is rotten, either a drunkard or a sex maniac. Nobody at the imaginary film set is talented but There's No Business Like Show Business, and it's all about the money.
Many surprising and ironic cameos of German TV and movie stars, many, many dead bodies and a lot of blood make this film (whose story is completely irrelevant) a very cool piece of trash. I wouldn't have been surprised if Leslie Nielsen had appeared. Kai Rabe is maybe the first (or just the best) German horror film parody.
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