IMDb > Late August, Early September (1998)

Late August, Early September (1998) More at IMDbPro »Fin août, début septembre (original title)

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Overview

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Director:
Writer:
Olivier Assayas (written by)
Contact:
View company contact information for Late August, Early September on IMDbPro.
Release Date:
10 February 1999 (France) See more »
Genre:
Plot:
A story about the transition from late youth to early maturity, the film follows several friends and... See more » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 1 nomination See more »
User Reviews:
Nice marriage of form and content See more (15 total) »

Cast

  (in credits order)

Mathieu Amalric ... Gabriel

Virginie Ledoyen ... Anne

François Cluzet ... Adrien

Jeanne Balibar ... Jenny
Alex Descas ... Jérémie

Arsinée Khanjian ... Lucie
Mia Hansen-Løve ... Véra
Nathalie Richard ... Maryelle

Eric Elmosnino ... Thomas
Olivier Cruveiller ... Axel
Jean-Baptiste Malartre ... Editeur
André Marcon ... Hattou
Elisabeth Mazev ... Visiteuse de l'appartement
Olivier Py ... Visiteur de l'appartement
Jean-Baptiste Montagut ... Joseph Costa
Olivier Torres ... Marc Jobert (as Olivier Torrès)
Joana Preiss ... Standardiste
Jean-François Gallotte ... Producteur documentaire
Fejria Deliba ... Amie de Lucie
Bernard Nissile ... Frédéric
Beatrice De Roaldes ... Couple à la campagne (as Béatrice de Roaldès)
Jean-Lou Taleghani ... Couple à la campagne
Elizabeth Marre ... Acheteuse de l'appartement
Thierry Angelvi ... Acheteur de l'appartement
Damien Dodane ... Ami d'Axel
Alexandra Yonnet ... Assistante du bureau de production
Ozal Descas ... Fille de Jérémie
Julien Vieville ... Petit ami de Véra
Marion Hanania ... Copine de Véra

Catherine Mouchet ... Attachée parlementaire

Elli Medeiros
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Directed by
Olivier Assayas 
 
Writing credits
Olivier Assayas (written by)

Produced by
Georges Benayoun .... producer
Philippe Carcassonne .... producer
Françoise Guglielmi .... executive producer
 
Cinematography by
Denis Lenoir 
 
Film Editing by
Luc Barnier 
 
Casting by
Antoinette Boulat 
 
Production Design by
François-Renaud Labarthe 
 
Costume Design by
Françoise Clavel 
 
Makeup Department
Thi Thanh Tu Nguyen .... key makeup artist (as Thi-Thanh-Tu Nguyen)
 
Production Management
Patrice Arrat .... production manager
Eric Bassoff .... post-production supervisor (as Éric Bassoff)
Julien Bouley .... assistant unit manager
Gilles Martinerie .... unit manager
 
Second Unit Director or Assistant Director
Max-Olivier Ducout .... carpenter
Olivier Français .... trainee assistant director
Françoise Malaplate .... weathering painter
Marie-Jeanne Pascal .... first assistant director
Gilles Vincent .... art department assistant
 
Art Department
Cécilia Blom .... set designer
Phillipe Christeller .... carpenter (as Philippe Christeller)
Patrick Delmas .... carpenter
Max-Olivier Ducout .... carpenter
Peter Hammond .... construction coordinator
Christophe Herisson .... property master
Christian Lionel .... carpenter
Françoise Malaplate .... weathering painter
Sébastien Meunier .... second assistant set decorator
Yann Richard .... first assistant set decorator
Gilles Vincent .... art department assistant
Patrick Widdrington .... construction coordinator
 
Sound Department
Pascal Chauvin .... foley artist
Pascal Dedeye .... foley artist
William Flageollet .... sound mixer
Stéphanie Granel .... sound editor
Olivier Le Vacon .... boom operator
Marie Massiani .... foley recordist
Bridget O'Driscoll .... assistant sound editor
Marie-Christine Ruh .... sound editor
François Waledisch .... dialogue editor
François Waledisch .... sound
 
Camera and Electrical Department
Vincent Blasco .... key grip
Stéphane Bourgoin .... electrician
Sophie Charrière .... first assistant camera
Nathalie Eno .... still photographer
Pascal Ghristi .... grip
Leopold Gomez .... chief electrician (as Léo Gomez)
Virgil Gomez .... electrician
Marie-Claude Ista .... second assistant camera
Yorick Le Saux .... director of photography: second unit
Lucas Leconte .... assistant camera: second unit
Denis Lenoir .... camera operator
 
Casting Department
Olivier Torres .... extras casting
 
Costume and Wardrobe Department
Isabelle Blanc .... assistant costume designer
Jessica Doyle .... costumer
 
Editorial Department
Marie-Pierre Frappier .... assistant editor
Marie Lecoeur .... assistant editor
 
Other crew
Ariel Askénazi .... financial director
Nathalie Clavier .... production assistant
Sandra Cohen .... financial director
Brigitte Faure .... juridical director
Agnès Feuvre .... script supervisor
Serge Klinger .... production assistant
Laurence Milon .... production assistant
Jean-Paul Musso .... title transfer: 35 mm
Sébastien Quérité .... production assistant
Sophie Resnais .... production secretary
Lionel Rigothier .... production assistant
Nora Salhi .... administrator
Philippe Thomas .... juridical director
Frédéric Vin .... production assistant
 
Thanks
Vincent Gallo .... thanks (as Enzo Gallo)
Isabelle Janier .... thanks
Stéphane Possot .... thanks
Christiane Rorato .... thanks
Pascal Thomas .... thanks
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Fin août, début septembre" - France (original title)
See more »
Runtime:
112 min
Country:
Language:
Color:
Sound Mix:
Certification:
Finland:K-12 | France:U | Singapore:M18 | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15

Did You Know?

Soundtrack:
Goye KurSee more »

FAQ

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3 out of 4 people found the following review useful.
Nice marriage of form and content, 29 May 2000
Author: hphillips (hvap@rcn.com) from United States

The style of the film, described elsewhere as in the 'Dogme 95' genre, really works well for this story, especially on the cinema screen; on video, the transfer was made from a slightly poor-quality print, which is too bad - the photography in the movie is excellent. For the technically-oriented, "Fin Aout, Début Septembre" was filmed in Super-16mm, and in my opinion this sort of plot is perfectly suited to the S16, or the DV-originated type of storytelling technique. It's true there was no murder or gratuitous violence, no rape or incest, no endless spurting of tears and confessions, which is frankly the reason I love this film. The dialogues are believable, the characters are very real, with that feeling of people we've known and maybe not always loved or cared to be around, but who are part of life nonetheless...I admire a filmmaker who is willing to present characters that are based in life, not in movie clichés, and Assayas pulls it off here wonderfully in my opinion.

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