A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's ... See full summary »
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ... See full summary »
Inspired by a true story based on an article by Hillel Levin, HUBRIS is a fast-paced crime thriller that follows a crew of thieves led by John Mendell who rob a pawn shop and discover it is... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up. Written by
Josh Baudhuin <firstname.lastname@example.org>
Late August, Early September is a movie that will stay with me because it didn't make me obsessed over it right after i saw it. In fact, as time passed, I realized 'gee, the last best time I had with a movie was Fin Aout". So I saw it again, took a deep breathe, and realized it really was a rare, marvelous movie that I feel lucky and nourished to see.
I'm suprised that noyone was asking where the music in the movie came from. Well, in case you just saw it and wondered really hard like i did, all the music that was thematiclly featured are by a south African music group called Ali Farka Toure, all the songs are from their album "The Source", and the songs are---(for the opening and the motorbike) "Goye Kur", (for Virginie Ledoyen's threesome scene) "Hawa Dolo", (for Vera's theme, the closing and many parts, the essential theme) "Cinquante Six". I'm utterly moved at seeing Olivier Assayas accomplishment. The lingering, graceful, and intricate portrayal of modern people, throughly, relevantly modern. His water-color painting, which it's moods unexpectedly stay with you after seeing the film. The chosen characters and the bold realities of their conceptions sort of leave me caring about things again. The film showed me processes of natural acceptances and natural complications in life, not mimicking it, just tip toeing through it, yet the character's lives seems to always be existing and experiencing itself in between or before the time frames of the film and so on, so forth. I took that swift, bitter-sweet feeling inside me and kept thinking about the beautiful credits. I kept feeling pleased at how I get to see charcters having been so tormented but keeping so much in, a state that uncannily comforts a lot of my trivial, constant, day to day basis state of mind. Assayas is an auteur, in a really modern sense. He writes his own things, which guarantees his vitality. I have utter faith in him and I'm grateful that his films are made, just there, living.
7 of 10 people found this review helpful.
Was this review helpful to you?