A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's ... See full summary »
Early one morning Valerie has to tell her unemployed boyfriend Remi that she is pregnant. She has decided to keep the child, but they argue whether they should break up or not. That same ... See full summary »
Seventeen-year-old Beth is just finishing school, and lives in Paris with her bedridden mother and younger brother. She is annoyed because her boyfriend suggested she try sleeping with ... See full summary »
Jeanne has an appetite for love that can never be satisfied. Lovers at every corner of her life she is still in search of that "one". When a impromptu tryst on the subway with Olivier gives... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up. Written by
Josh Baudhuin <email@example.com>
A characteristically French and amazingly subtle portrait of a circle of friends.
A tremendous and moving depiction of friendship and love whose dialogue is obviously French and whose camera-verite is very Dogme 95. Through a hand-held whirl we see stunningly candid and enticingly bare portraits of the goings on and thoughts of a group of friends including all the nuances of relationships. In this regard, Assayas's film is very similar to "La Promesse" and the Dogme 95 films. But the dialogue is extremely French in that it is very dramatic and a little too perfect to be real: dialogues feature characters who engage in dialogue's where they listen and think rather than argue. Yet even this works in the films favor, making you all the more taken in by characters demonstrate such depth.
The performances are remarkable and for the most part, the characters brilliantly faceted.
The movie is a bit longer than it needs to be, but the subtlety of the scenes requires patient development.
If you like Robert Bresson, Hal Hartley, Lars Van Trier, or Thomas Vinterburg, go see this. The style of the camerawork and the lushness of some of the lighting makes this a must see for the screen
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