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Late August, Early September (1998)
"Fin août, début septembre" (original title)

7.0
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Ratings: 7.0/10 from 1,085 users  
Reviews: 15 user | 22 critic

A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »

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Title: Late August, Early September (1998)

Late August, Early September (1998) on IMDb 7/10

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Cast

Cast overview, first billed only:
...
Gabriel
...
Anne
...
Adrien
...
Jenny
Alex Descas ...
Jérémie
...
Lucie
Mia Hansen-Løve ...
Véra
Nathalie Richard ...
Maryelle
...
Thomas
Olivier Cruveiller ...
Axel
Jean-Baptiste Malartre ...
Editeur
André Marcon ...
Hattou
Elisabeth Mazev ...
Visiteuse de l'appartement
Olivier Py ...
Visiteur de l'appartement
Jean-Baptiste Montagut ...
Joseph Costa
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Storyline

A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up. Written by Josh Baudhuin <jambo@well.com>

Plot Summary | Add Synopsis

Plot Keywords:

lover | love | friend | writer | watching tv | See more »

Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

10 February 1999 (France)  »

Also Known As:

Late August, Early September  »

Box Office

Opening Weekend:

$20,432 (USA) (16 July 1999)

Gross:

$36,662 (USA) (13 August 1999)
 »

Company Credits

Production Co:

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Technical Specs

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Did You Know?

Soundtracks

Goye Kur
Written by Ali Farka Touré
Performed by Ali Farka Touré
© World Circuit Music. Courtesy of World Cirtuit Ltd
extrait de l'album "The Source"
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User Reviews

A characteristically French and amazingly subtle portrait of a circle of friends.
22 July 1999 | by (new york) – See all my reviews

STYLIZED REALISM

A tremendous and moving depiction of friendship and love whose dialogue is obviously French and whose camera-verite is very Dogme 95. Through a hand-held whirl we see stunningly candid and enticingly bare portraits of the goings on and thoughts of a group of friends including all the nuances of relationships. In this regard, Assayas's film is very similar to "La Promesse" and the Dogme 95 films. But the dialogue is extremely French in that it is very dramatic and a little too perfect to be real: dialogues feature characters who engage in dialogue's where they listen and think rather than argue. Yet even this works in the films favor, making you all the more taken in by characters demonstrate such depth.

The performances are remarkable and for the most part, the characters brilliantly faceted.

The movie is a bit longer than it needs to be, but the subtlety of the scenes requires patient development.

If you like Robert Bresson, Hal Hartley, Lars Van Trier, or Thomas Vinterburg, go see this. The style of the camerawork and the lushness of some of the lighting makes this a must see for the screen


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