A psychological thriller about a married women who has an affair with a charming young man and gets involved in a series of murders not knowing if the killer is her lover or her husband or someone else.
Professional killer Gav Reed commits a grave mistake allowing himself to be videotaped (as she always does, for a documentary she hopes to sell to Hollywood about the real nocturnal 'eldest... See full summary »
After her partner mysteriously disappears, Detective Kelly Jones is lead to a nursery that seems to hold many secrets. Later those around Kelly become confused by the notion of wrong doings... See full summary »
James D.R. Hickox
When legendary thief Max Cruz is framed by the CIA, he has no choice but to help them with a top-secret mission. Mexican crimelord Beno Gildemontes has stolen classified intelligence data. ... See full summary »
After a drifter is struck by a car the driver offers to take him back from the hospital to her home in order to nurse him back to health...which turns out to be one of the biggest mistakes of her life.
A stunt driver heading for prison on a minor charge is freed against his will by a terrorist gang. Then by kidnapping his wife, he is forced to drive a getaway car in a plot to kidnap the President from a motorcade.
Just when it seemed safe to turn on premium channels without fear of suffering another copy of a rendition of a portrait of a shadow of a reinterpretation of Tarantino's Tough-Talk-with-Gunfire-Punctuation formula, along comes the functionally worthless BITTERSWEET to waste the airwaves. Everhart needlessly exerts herself in the role of a small-time criminal(?) who serves time and gets paroled with revenge on her mind. Eric Roberts shows up for another paycheck. James Russo (EXTREMES) chews more scenery. After much soap-quality melodrama with folks screaming at one another how much they care (the kind of scenes aspiring actors love because they wrongly think that shows off their Acting skills), everything fizzles into a routine shoot-out in Roberts' house replete with gratuitous slow-motion and people firing one pistol in each hand (no wonder they cannot hit anything at which they aim!). The saving grace is Everhart's mighty effort to abandon her glamorous image and deliver some genuinely astonishing Natural Acting -- the subtle unforced kind missing throughout the rest of the actors' performances. Minus make-up, her red hair muted, her delivery fresh, she comes through the only winner in this instantly forgettable waste of celluloid.
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