Paired with her reliable and devoted chauffeur, Mrs Bradley's finely honed skills of investigation seek out the truth behind the mysteries surrounding a death at the opera, crimes of passion at a circus, poisoning and family secrets.
Hetty wakes on her 60th birthday and decides to become a private investigator. With assistance from a teenager called Geoffrey and her husband Robert, combined with her own common sense, Hetty is confident she can solve any case.
With the help of DS John Bacchus, Inspector George Gently spends his days bringing to justice members of the criminal underworld who are unfortunate enough to have the intrepid investigator assigned to their cases.
Mrs. Adela Bradley could be described as the naughty version of the rather dull Mrs. Marple: a quintessentially English lady sleuth, before the war, upper class, rich enough for a Rolls Royce with private driver (George Moody, her hunky and faithful assistant in nearly everything), a real socialite, always on the road, sassy, even provocative, an arrogant suffragette. But her sharp sense of observation and deduction still gets the better of the criminals every single time. Written by
Diana Rigg is back in top form as the larger than life (but firmly grounded on human misdemeanours) character of Mrs. Bradley. Neil Dudgeon and Peter Davison provide a solid counterweight to her flights of fancy and intuition, which is a bit ironic for Davison - who made part of his career out of playing Margery Allingham's super-sleuth(and upper class to boot) Campion. I have only had access to three episodes, but they are lengthy enough for characters to develop and for the interplay between them to become a given. I think the acting, art direction, sets and music will take anyone to heaven. This is way above (& beyond) any Agatha Christie screen adaptation - and Diana Rigg *is* Mrs. Bradley, much in the same way that Jeremy Brett *was* Sherlock Holmes. Bravo!
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