John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
Malcom Crowe (Bruce Willis)is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient (Donnie Wahlberg) . This boy "sees dead people". Crowe spends a lot of time with the boy much to the dismay of his wife (Olivia Williams). Cole's mom (Toni Collette) is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope. Written by
Jeff Mellinger <firstname.lastname@example.org>
The movie was rented by 80 million people in 2000, making it the year's top-rated tape and DVD title. See more »
The first time Malcolm meets with Cole, right before they leave, Malcolm's arm is on the back of the pew from Cole's point of view, but from Malcolm's point of view, it is down. Right after Cole grabs the statue of Jesus, he puts his arm up again. See more »
It's getting cold.
That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
...does a fine frame like that cost, do you think?
I never told you, but you sound a little like Dr. Seuss when you're drunk.
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The Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits. See more »
A movie that will not be outclassed in its genre for years to come
When I first saw The Sixth Sense, I didn't know what to expect. I guess I was looking forward to a good scary horror flick. I was very surprised. I found that the purpose for this movie was far greater than just trying to scare the audience. I found this movie was showing not only the emotions of fear, but also faith, commitment, sadness of loss, and love. The end was so surprising, I had to see it again. The second time I watched it, I did it from a totally different perspective (this is a very rare quality for any movie), and I enjoyed it just as much, or maybe even more. I also, as many viewers have, tried to detect fallacies in the story. I couldn't find one. In addition, for those that appreciate great soundtracks, the music only helps to heighten the experience of the movie.
I believe that a great movie is one that helps the viewer perceive life and the world differently. The Sixth Sense is one of those extraordinary movies that does that to me. This movie reflects on some difficult subjects that will make the viewer walk away asking eternal questions. Questions about death, about letting go, about eternal love and commitment, about the love between parent and child, and between husband and wife. Maybe I read too much into this very wonderful film, but I believe it will be difficult to find a movie that has touched on these subjects so poignantly and so well for years to come.
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