A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy "sees dead people". Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole's mom is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope. Written by
Jeff Mellinger <email@example.com>
When Malcolm looks at the box for Vincent Grey, the last name is spelled with an 'e', while in the ending credits, Vincent's last name is spelled with an 'a'. See more »
It's getting cold.
That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
...does a fine frame like that cost, do you think?
I never told you, but you sound a little like Dr. Seuss when you're drunk.
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The Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits. See more »
This was hyped big-time when it came out and, if memory serves me, was a good conversation piece among those who saw it at the theater.
I didn't see it for a few years afterward, on tape and now on DVD. It was very good but I didn't find it as "the greatest movie ever" as some did. It is an involving story, however, and I've come to appreciate it more with multiple viewings. I've seen it three times, the last one looking for mistakes to disprove the surprise ending....but couldn't find any. The filmmakers covered their tracks. However, a couple of scenes were misleading. Those who have seen this movie know what I'm talking about. For those who haven't, I'm not going to spoil it here.
I enjoyed both Bruce Willis and Haley Joel Osment as the two leads. Willis has had many action-packed, profane macho roles in his career but I like him best when he's low key, as he is in here (and in "Unbreakable," to name another fairly-recent movie) The story is slow-paced but it sure is not boring. In a way, it's nice to see a slower-paced film be a big hit, as this was.
Osment, meanwhile, is a terrific child actor, as he has proved in other films. He's simply one of the best of his young generation. He and Dakota Fanning are the two best child actors I've seen in many years.
This isn't just some supernatural-horror movie. It's a nice human interest story. There is one scene late in the movie in which Osment's mom is having a talk with her young boy in the car. It is an extremely touching scene that brings tears - a great moment in the film.
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