Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels are overpowered by the Empire on their newly established base, Luke Skywalker begins Jedi training with Master Yoda. His friends accept shelter from a questionable ally as Darth Vader hunts them in a plan to capture Luke.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
While Frodo and Sam, now accompanied by a new guide, continue their hopeless journey towards the land of shadow to destroy the One Ring, each member of the broken fellowship plays their part in the battle against the evil wizard Saruman and his armies of Isengard.
Forced perspective was just one of the tricks used on the Helm's Deep "bigiature" to make it look like the real thing. Parts of the set that were far away from camera were built to a smaller scale, to make them look further away. The shots were also always made in smoke to increase the sense of atmospheric distance. During the design process, parts of the model were filled with Action Man dolls to provide a scale reference. See more »
(Flipped shot) When Legolas says in Elvish, "There's something out there," the Elvish Brooches (leaf brooches holding their cloaks together) are facing the opposite direction. Peter Jackson first noticed this error while recording the Extended DVD Director commentary. See more »
[from the extended edition]
You give him no credit and yet he tries to do your will. He loves you, Father.
Do not trouble me with Faramir. I know his uses and they are few.
See more »
Two lines in Maori (wishing all the best to their land and people): He maungärongo ki te whenua He whakaaro pai ki ngä tängata katoa See more »
It seems ridiculous to want to add my own comments to a slew of others that are already in IMDB's records, but I feel like I cannot sleep nor cease the throbbing in my chest until I release some of what I have so recently seen.
Peter Jackson's The Lord of the Rings is one of the bravest projects ever attempted by a filmmaker. Mr Jackson deserves every ovation he will receive, every award, every bit of the praise and adoration that will be spoken and written.
This second installment of the story is a masterpiece in every sense, forget your prejudices about the books, they are another way of looking at this beautiful story (I know this is slightly against the rules, but a I cannot resist saying that a previous writers comment - a comment that compared the Lord of the Rings Films and Books to the difference between Romeo and Juliet in screenplay and ballet formats - was entirely accurate).
Gollum was an excellent amalgam, so easily could he have been an annoying Jar-Jar-Binks-Alike. Instead the way that Jackson and Serkis (and doubtless many many others) chose to portray the CGI incarnation of "Smeagol" was incredibly emotive and powerful. Gollum is profoundly disturbing, amusing, almost lovable... Not even John Ronald Reuel himself could induce that range of emotions for Smeagol in me...
A truly skin-crawling performance by a superb Brad Douris as the evil Grima Wormtongue was just beyond words. Douris _Became_ Wormtongue in a skillful fulfillment of what was already inspired casting.
Probably the most definitive casting of this film though was Manchester born Bernard Hill as Theoden, King of Rohan. The casting for "The Two Towers" makes one shake ones head and wonder, in retrospect, whether anyone else could have filled these roles. Mr Hill's performance was truly first rate, a performance which contributed greatly to "The Battle of Helms Deep", scenes which were a spinning tornado of emotions for the viewer.
Viggo Mortensen goes from strength to strength. His performance is visceral and yet sensitive. The overriding emotion that Tolkiens vision of Aragorn induced (at least for me) was awe at his heroics. Mortensen's portrayal in Jackson's frame brings new aspects to the Aragorn character. Mortensen's Aragorn is emotionally dextrous to go with his physical dexterity, he is sensitive, seemingly empathic, warmer and more fundamentally human, and yet super-human in presence and charisma. "Definitive" is not strong enough of a word.
If you still view Jackson's epic with scepticism I implore you to put down your preconceptions and your prejudices, but most of all put down the books... This is beautiful way to see middle earth, don't pass it up - The books are the ultimate fantasy epic - the pictures you draw in your head are better than anything you can imagine, but The Lord of the Rings "The Two Towers" is one wonderful interpretation of that epic story.
Go, Laugh, Cry, and Sit in Awe of this cinematic treat.
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