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The Lord of the Rings: The Return of the King (2003)

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

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(novel), (screenplay) | 2 more credits »
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Top Rated Movies #8 | Won 11 Oscars. Another 174 wins & 113 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noel Appleby ...
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Elanor Gamgee (as Alexandra Astin)
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Sam
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Sadwyn Brophy ...
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Richard Edge ...
Jason Fitch ...
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Storyline

While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-earth. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

orc | epic | ring | battle | king | See All (259) »

Taglines:

There can be no triumph without loss. No victory without suffering. No freedom without sacrifice. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and frightening images | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

17 December 2003 (USA)  »

Also Known As:

The Return of the King  »

Box Office

Budget:

$94,000,000 (estimated)

Opening Weekend:

£15,021,761 (UK) (19 December 2003)

Gross:

$377,019,252 (USA) (28 May 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Blu-Ray Extended Edition) | (Extended Edition)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first shot of Sam's arm coming into frame holding Sting towards Shelob is actually Peter Jackson's arm See more »

Goofs

When Pippin takes the seeing stone from Gandalf's sleeping arms, he replaces it with a pitcher. This pitcher is absent when Gandalf wakes up. See more »

Quotes

[first lines]
Deagol: Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Smeagol: Pull it in. Go on. Go on. Go on. Pull it in.
See more »

Crazy Credits

There's a text written in maori: Me mahara tonu taatou nga Uri- aapakura noo tuaanuku nei, noo te waaotuu te tu kekehua ana o ngaa Eldarin kua hohouu mai i te Uru-moana. Which is in english: Let us dedicate our memories to the spirits of the Eldar who came to us from the Ocean that lies to the West. See more »

Connections

Referenced in Face Off: Dark Magic (2013) See more »

Soundtracks

The Edge of Night
Music by Billy Boyd
Lyrics by J.R.R. Tolkien
Performed by Billy Boyd
Adapted by Philippa Boyens
Orchestration by Howard Shore
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A monumental film
17 December 2003 | by (United Kingdom) – See all my reviews

Feeling weary and battle-worn, I have just staggered out of the cinema after three and a half hours of special effects creatures fighting other special effects creatures. I had taken refreshments but barely touched them - probably because the film I had watched is one of the most mesmerising, evocative, inspiring, and awesome I have witnessed of any big adventure epic. Not to mention superb ensemble acting, moods that shift effortlessly between mediaeval battles of colossal proportions and convincing bloodshed, beauty and wonderment, fantastic natural and artificial landscapes and cityscapes, touches of humour, well-paced dramatic tension, and human bonding that is moving enough to just let you dry your eyes as the unassuming credits flash by.

Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.

The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.

This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)

The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .


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