Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in Tequila and decide to take one last trip to ... See full summary »
Jan Josef Liefers,
Thierry van Werveke
Thiss drama focuses on three very different brothers, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
Franziska is kind of a romantic woman with two children and a husband who is working around the globe as a movie director. When she wants to buy a flat some day she gets in contact with ... See full summary »
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical ... See full summary »
A lot of details hint to Cologne as the filming location, among others the license plate of the Health Inspector's Mercedes. Also, "Koelsch" beer is served in the pub "Pauls Eck". However, the Alfa Romeo of the undercover cops has Munich plates, the car of Nico's persuers is registered in Berlin, and the one the thugs sent after Leo use in Dortmund. In the final scene Leo, Nico, Fabian and Reza set off with a car registered in Essen. See more »
The license plate of the silver Alfa Romeo driven by the cops. See more »
DER EISBAER is the first movie German mega-star Til Schweiger directed, and starred in. Seen when it premiered in Germany in November of '98, I accompanied all the avant premiere buzz surrounding the film and Schweiger's career moves, and even attended one of the premieres Schweiger hosted at the new Potsdamer Platz Cinemaxx. This action drama with a relationship story lived up to all the hype, and exceeded my inflated expectations. If you are a Schweiger fan or a an action drama lover, don't miss DER EISBAER when it comes out on video or if it opens outside Europe. Schweiger has come a long way since DER BEWEGTE MANN ("Maybe, Maybe Not"), and in the process has single-handedly brought German cinema back to the masses after a half century of domination by the high brow author directors (Herzog, Fassbinder, Wenders) who made German cinema synonymous with boredom, and inaccessibility with the masses. Since 1994, Schweiger starrers have broken German Box Office Records consistently. Here, though this film did not break the Box Office Records of the others (including MAENNERPENSION and KNOCKIN' ON HEAVEN'S DOORS), he shows us in more dimensions why he has been the phenomenon of popular German cinema this past decade, and probably beyond 2000. I give DER EISBAER 8 out 10 points.
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