Directed by
| Steve Latshaw | ||
Writing Credits
| James Best | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Dorothy Best | ... | executive producer (as Dorothy Collier Best) |
| James Best | ... | presentation producer |
| Janeen Damian | ... | producer (as Janeen Best) |
Music by
| Michael Parnell | ||
Cinematography by
| Maxwell J. Beck | ... | director of photography |
Editing by
| Pete Opotowsky | ||
Production Design by
| Guillaume DeLouche | ||
Art Direction by
| David Bielous | ... | (as David E. Bielous) |
Makeup Department
| Corinna Adkins | ... | hair stylist (as Corinna Adkins) / key makeup artist |
| Ralph Bruess | ... | assistant makeup artist |
| Jayson Harper | ... | assistant key makeup artist |
| Andrea Schutter | ... | assistant makeup artist |
Second Unit Director or Assistant Director
| Shannon Bowling | ... | second assistant director |
| Art Nelson | ... | second unit director |
| Bently Tittle | ... | first assistant director |
Art Department
| BJ Guyer | ... | puppeteer |
| Brad Keene | ... | art production assistant |
| Heidi Kneisl | ... | lead scenic artist |
| Dennis Parker | ... | scenic artist |
| Jim Porterfield | ... | art production assistant |
| Jason D. Rubio | ... | art production assistant (as Jason Rubio) |
| Jay Schoenfeldt | ... | art production assistant |
| Brandon L. Wilson | ... | art production assistant (as Brandon Wilson) |
Sound Department
| Blair Carmichael | ... | sound mixer |
| Evan Weidner | ... | boom operator |
| Tom Weir | ... | sound designer |
Special Effects by
| Christopher Clark | ... | special effects coordinator |
Visual Effects by
| Tedd Palamar | ... | visual effects artist |
| Vince Pedulla | ... | digital transfers |
Camera and Electrical Department
| Grayson Austin | ... | first assistant camera |
| Max Beck | ... | second unit director of photography |
| Kevin Burke | ... | gaffer |
| Shawn Fornari | ... | best boy electric |
| Kevin Lang | ... | first assistant camera: second unit / second assistant camera |
| Sonny Senser | ... | still photographer |
| Louis Smith | ... | key grip |
| Ryan Sullivan | ... | first assistant camera |
| Roy Webb | ... | grip / lighting technician |
| Dave Wilson | ... | second assistant camera |
Casting Department
| Greta Hanley | ... | additional casting |
Editorial Department
| Kathy Beyers | ... | electronic graphics |
| Tedd Palamar | ... | computer generated imagery |
| Paul Whidden | ... | colorist |
Script and Continuity Department
| Wendy Delouche | ... | script supervisor |
Additional Crew
| Lorilyn Alexander | ... | production coordinator |
| Donna Lee Betz | ... | product placement |
| Hank Camp | ... | product placement |
| Matt Ferguson | ... | production assistant |
| Sandy Gibbons | ... | production assistant |
| Carol Kluza | ... | payroll service |
| John Perez | ... | production assistant |
| Diana Philips | ... | technical consultant |
| Judy Philips | ... | craft service |
| Fred Olen Ray | ... | carnival banners |
| John Ray | ... | carnival banners |
| Tracy Tepper | ... | assistant to James Best |
| Melissa Trimble | ... | legal services |
| Tom Garrett | ... | producer's representative (uncredited) |
Thanks
| Diane Cantrell | ... | special thanks |
| Joyce Fain | ... | special thanks |
| Peter Fain | ... | special thanks (as Pete Fain) |
| Harry Fivecoate | ... | special thanks |
| Fred Olen Ray | ... | special thanks |
| Mark Salley | ... | special thanks |
| Carol Saporito | ... | special thanks |
| Michael Saporito | ... | special thanks |
| Mark Wiseman | ... | special thanks |
