| Jun Izumi | ... | Nami Tsuchiya | |
| Masahiko Abe | ... | Kenzo Muraki | |
| rest of cast listed alphabetically: | |||
| Toshiyuki Kitami | ... | Oka | |
| Yôko Kurita | ... | Hitomi | |
| Yuichi Minato | ... | Pervert | |
| Noboru Mitani | ... | Seiko's dad | |
| Mimi Sawaki | (as Miiko Sawaki) | ||
| Akira Suei | |||
| Osamu Tsuruoka | ... | Agawa | |
| Yuri Yamashina | ... | Yamada | |
Directed by | |||
| Toshiharu Ikeda | |||
Writing credits(in alphabetical order) | ||
| Takashi Ishii | manga series Tenshi no harawata | |
| Takashi Ishii | screenplay | |
Produced by | |||
| Naoya Narita | .... | planner | |
| Yoshihiro Yuhki | .... | producer (as Yoshihiro Yuuki) | |
Original Music by | |||
| Hachiro Kai | (as Hachirô Kai) | ||
Cinematography by | |||
| Yonezô Maeda | |||
Film Editing by | |||
| Akimasa Kawashima | |||
Production Design by | |||
| Yoshie Kikukawa | |||
Art Direction by | |||
| Yoshie Kikukawa | |||
Second Unit Director or Assistant Director | |||
| Takashi Kodama | .... | assistant director | |
Sound Department | |||
| Osamu Onodera | .... | sound | |
Camera and Electrical Department | |||
| Seisaku Kimura | .... | lighting technician | |
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| Shopgirl | Day of the Wacko | Single White Female | The 40 Year Old Virgin | American Beauty |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
Fourth in the series and full of stylish sequences and almost non stop full bloodied (almost hardcore) SM orientated sex. Ikeda's film does not fit the basic rape, revenge/consequence pattern of the others and initially confuses because it does not conform to our expectations. Especially difficult for western audiences is the mixing of, very strong sexual needs of women, rape and romance. We get particularly frank, wet and slurping scenes of female masturbation, images/memories/fantasies of rape and the gradual development of a most unlikely romantic liaison. The film is at times so good to look at that the slight and occasional lapses are noticeable. One is thrown for instance when Nami runs from her department store after hearing that she is to be sacked for appearing in a porno mag. The music and the way she is shot leads one to suspect that she has had enough and will seek to avenge herself. But not really Still, I enjoyed the film and if it didn't quite have the power or coherence of the others it certainly made up for it in other ways.