Richard an attractive, virile young man living in a lush apartment, has a rendezvous with Janet. Janet is in the midst of a divorce proceeding involving a large settlement. At a climatic ...
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Richard an attractive, virile young man living in a lush apartment, has a rendezvous with Janet. Janet is in the midst of a divorce proceeding involving a large settlement. At a climatic moment on Richard's bed, a photographer steps out of the closest and snaps a picture. It seems that Richard is a super stud for hire in divorce suits, he earns 10% of whatever money he saves the husband by enabling him to prove that his wife is committing adultery. His fee from Janet's husband is $10,000. He boasts that out of eight cases he's scored on seven. Women in the process of divorce are especially vulnerable and Richard, expert lover that he is, is able to take advantage of their insecurity. His next conquest is June. However, June's attorney, Manna was also Janet's attorney and he recognizes Richard in both sets of photographs. He visits Richard and threatens him with jail unless he agrees to a partnership. Richard's next playmate is Sylvia whose divorce settlement will exceed half a million... Written by
Sherpix, the company that produced and distributed works by filmmakers as diverse as Paul Morrissey and Alex De Renzy in the late '60s and early '70s, inadvertently helped jump-start the short-lived "Porno Chic" trend with ADULTERY FOR FUN AND PROFIT. Grand prize winner at the second (and last) Wet Dream Film Festival in Amsterdam, sponsored by Suck Magazine which had none other than Germaine Greer amongst its editorial staff, it was the first narrative feature by Richard Robinson and a considerable step up from his "white coater" THE ABC'S OF MARRIAGE. Apparently, Robinson (a/k/a "Rick Jr.") had a thing about wedlock as his 1974 masterpiece MARRIAGE AND OTHER FOUR LETTER WORDS is anything to go by. With a happy go lucky script by E.E. Patchen, who would delve into far darker territory for Chris Warfield's sexploitation classic LITTLE MISS INNOCENCE, he seems more intent however on blowing this cornerstone of society to smithereens on this occasion.
Chunky California Casanova Richard (alleged one shot Frank Harris), with adorably chubby cheeks and great Bay City Rollers hair, has a lucrative sideline going, seducing married women on the brink of separation so their husbands won't have to put up alimony. His employer, a devious divorce lawyer (like there's any other kind !), is played by character actor John Dunn who supplemented his "respectable" work in movies like ANDY WARHOL'S BAD with non-sex appearances in skin flicks like LITTLE GIRLS (now wittily changed to WOMEN by Something Weird to avoid legal hassles !) GETTING AHEAD. This premise provides opportunities for successive sexual encounters with some of the genre's earliest and unjustly forgotten starlets. The classy platinum blonde with the great gams in scene 2 is Susan Westcott, also in Walt Davis' astonishing SEX PSYCHO and BLONDE IN BLACK LACE, an early Johnny Wadd entry by Bob Chinn. Richard charms her with the best pick up line ever, convincing her he makes "the most persuasive Martinis in town", adding "two olives for a pretty lady" pausing a beat "three for you !" How could she resist ? Lynn Holmes is the giggly blonde who was paired with namesake John in both SUPERSTUD and FOUR WOMEN IN TROUBLE and Casey Lorraine recycles her British bitch routine from Joe "Adele Robbins" Robertson's riotous romp LORD FARTHINGAY'S HOLIDAY as the story's catalyst, the dissatisfied wife who blackmails Rick into making it with her gay husband ! As envelope-pushing as early erotica may have been, this scene is suggested rather than shown.
Absolute best of show is an extended sequence that has Richard and a recent divorcée and former client (George Peters, who was in COMING WEST with "nudie cutie" royalty Maria Arnold and Sandy Carey) laying pipe with busty brunette Starlyn Simone from Dominic Bolla's memorably warped ANGEL ABOVE, THE DEVIL BELOW and delectable, fair-haired Rainbow Robbins, star of Robinson's subsequent MARRIAGE AND OTHER FOUR LETTER WORDS as well as Gerard Damiano's extremely obscure EVIL WAYS OF LOVE. They move from fireplace to shower and bedroom, exhibiting sustained erotic enthusiasm throughout, accompanied by several awesome tracks that sound suspiciously like library music even though a composer, Mario Litwin, is credited. This is also the most interesting scene visually as it allows the cinematographers, Sven Conrad and Robinson himself (as "David Worth"), to throw in a couple of clever compositions like both men back to back as they receive oral pleasure from their girlfriends in a nifty mirror image effect. Conrad remained to hone his skills within the industry, graduating to directing with some of the most eye-popping adult movies of the '80s (PINK CHAMPAGNE, BODY MAGIC, DOING IT !) and Robinson went on to helm POOR PRETTY EDDIE, one of the most notorious and hard to shake "blaxploitation" efforts ever.
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