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There's Always Vanilla (1971) -- A young man returns to his home city of Pittsburgh and moves in with an older woman whom he begins to rely on for emotional and financial support.

Overview

User Rating:
5.7/10   183 votes
MOVIEmeter: ?
Down 53% in popularity this week. See why on IMDbPro.
Director:
Writer:
Rudy Ricci (writer)
Contact:
View company contact information for There's Always Vanilla on IMDbPro.
Release Date:
11 February 1972 (USA) more
Genre:
Tagline:
Every woman knows why the wrong man is irresistible!
Plot:
A young man returns to his home city of Pittsburgh and moves in with an older woman whom he begins to rely on for emotional and financial support. full summary | full synopsis
Plot Keywords:
NewsDesk:
Weekly Bodycount - George A. Romero Sans Zombies
 (From SoundOnSight. 28 April 2009, 9:29 PM, PDT)

User Comments:
IN A WORLD WHERE ROMERO AND CASSAVETTES TRADED SOULS... more (11 total)

Cast

  (Cast overview, first billed only)
Raymond Laine ... Chris Bradley (as Ray Laine)
Judith Ridley ... Lynn Harris (as Judith Streiner)
Johanna Lawrence ... Terri Terrific
Richard Ricci ... Michael Dorian
Roger McGovern ... Mr. Bradley
Ron Jaye ... Fox
Bob Wilson ... TV Network Executive
Louise Sahene ... Samantha
Christopher Priore ... Mr. Manspeaker
Robert Trow ... Ralph
Bryson Randolph
Val Stanley ... TV rug commercial director
Vincent D. Survinski ... Delivery man (as Vincent Survinski)
Eleanor Schirra ... Mrs. Harris
S. William Hinzman ... Drunk guy in bar (as Bill Hinzman)
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Additional Details

Also Known As:
The Affair
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Runtime:
93 min
Country:
Language:
Color:
Sound Mix:
Certification:
Filming Locations:

Fun Stuff

Trivia:
This is 'George A. Romero''s second film, and according to him, his worst. He stated that the writer was "very lazy" and showed little interest in the production, leaving halfway through the shooting. more
Quotes:
Chris Bradley: Dad, I just don't want to go to work in your baby food factory. And, I don't want to sell vacuum cleaners. I don't want to sell little toy plastic aircraft carriers. I don't wanna... I don't know what I want.
Mr. Bradley: Chris, I think I understand what you're talking about. A little bit anyway. But these problems are a little bit like going to Howard Johnsons for some ice cream. You can get all kinds of wild, exotic flavors. But somehow, you always wind up with vanilla.
Chris Bradley: Oh, Jesus Christ, Dad, I could cry!
Mr. Bradley: You get what I mean? Now one thing, just once in a while...
[...]
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Movie Connections:
Featured in The Dead Will Walk (2004) (V) more
Soundtrack:
There's Always Vanilla more

FAQ

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6 out of 6 people found the following comment useful.
IN A WORLD WHERE ROMERO AND CASSAVETTES TRADED SOULS..., 28 May 2002

This film reminded me of nothing so much as a John Cassavettes movie. Yes, I mean that as the sincerest of compliments, but whether or not you like it will probably depend upon your feelings about ol' John C. He's a controversial figure even twenty years after his death.

Anyway, despite the video notes from Something Weird, Ray Laine looks and acts just like Russell Crowe. It's almost frightening. While Judith Ridley (here billed as Streiner) is just as lovely as ever and, surprisingly enough in light of her unimpressive turn in "Night of the Living Dead," can actually act.

Okay, so the flick is full of standard issue seventies lingo and some of the most godawful fashion statements since Mrs. Roper, but the writing and direction make up for it. Romero's editing and shot compositions are, perhaps, the best I've seen from him to date. It is odd that George should have excised this piece of work so completely from his opus. Despite its timeliness, it is actually a very accomplished film. The dialogue is crisp and witty. The performances are well delivered across the board. I truly didn't have a problem in the world with this little diamond in the rough. I admit that a few scenes within the first third of the picture were just a bit gag inducing. (Why is it that all these "Love Stories" have to feature a musical montage of the two doe-eyed young lovers going to a play ground, going on a picnic, eating ice cream, etc.?) The final third of the film, as the relationship hits the rocks, however, more than makes up for it with moments truly disturbing. The abortionist sequence in particular was everything I expected it to be and then some. Without resorting to hard core gore or exploitation techniques, Romero manages to provide a real wince inducing air of suspense and danger that will probably be remembered long after the cutesy-poo stuff is forgotten.

All in all, I must say that Romero needs to take stock of his film output over the last few years. Is "There's Always Vanilla" perfect? No, of course not. Is it worlds better than the drek Georgie-Boy's been churning out ever since "Creepshow"? Absolutely! If I were him, I'd bring back "TAV" on a deluxe package DVD replete with audio commentary and plenty of extras and start issuing some damning (or, at least, distancing) statements about "Monkey Shines", "Two Evil Eyes" and "The Dark Half."

Movie Fun: Try and spot all the actors from "Night of the Living Dead" that also made their way into this film. Something Weird Video helpfully points out Ridley (of course) as well as the first ghoul in the cemetery and Judith's husband (Mr. "They're coming to get you, Barbara!") I also found the sheriff lurking here as the abortionist's front man. His turn makes his "Good shot!" comment from "NotLD" seem positively Alan-Alda sensitive. I'm sure there are more familiar faces to be found, but they'll have to wait for repeat viewings.

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