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A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

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Comedy | Drama
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Director: Miguel Velasco
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Cast

Cast overview, first billed only:
Tina Aumont ...
Don Backy ...
Mario Carotenuto ...
...
Graziella Granata ...
Antonia
Valérie Lagrange ...
Trifena
Francesco Pau ...
...
Marguerite H. Boulware
Clara Colosimo ...
Seleuco's Wife
Ermelinda De Felice ...
Trimalchione's Wife
Gustavo D'Arpe ...
The Rhetorical-Questioning Orator
Antonio De Leo
Piero Gerlini ...
Abinna - Antonia's husband
Franco Gulà ...
(as Franco Gullà)
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Storyline

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Comedy

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Release Date:

27 March 1969 (Italy)  »

Also Known As:

De Ontaarden  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Gian Luigi Polidoro, producer Alfredo Bini, the distributor and four of the actors in the film were accused of obscenity, corruption of minors and violation of the laws protecting the work of minors. They were subsequently acquitted of the corruption charge but received suspended sentences, which were appealed, and fined for having produced an obscene film. See more »

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User Reviews

 
This neglected competitor to the Fellini version deserves to be seen....
3 December 2011 | by (Fairfax, VA) – See all my reviews

This neglected competitor to the Fellini version deserves to be seen by virtue of its own merits. The fragment of the original work which is all that remains of Petronius' great satire deals mainly with the excesses of Trimalchio's banquet...and that is fully present here and perhaps even better done. The sequence of the ceiling collapsing dramatically only to surprise the guests with a huge weighty cake is quite priceless, as is the faked death of the host so that everyone has to fawn on the (living) corpse, kissing it in gratitude for it's largess. Don Backy (who resembles Ray Danton) is really outstanding as Encolpio, the main character. His two comrades who support him in the numerous picaresque escapades are also well drawn and much more sympathetic than the more thuggish protagonists in Fellini's reading. There is more depth to them and sadness, too, missing in Fellini. If you like the Fellini version, you should definitely see this one, too. It's every bit as good and in some ways better.


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