A Frenchwoman in Manhattan, in danger of being deported because of her relationship with a recently arrested drug offender, enters into a marriage of convenience with a stranger that is ... See full summary »
An American actress inherits a castle in Transylvania. What she doesn't know is that her ancestor, the Baroness Catali, was in actuality a vampire countess, and emerges from her tomb to ravage the nearby village and Catholic seminary.
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
A middle aged writer of pornographic novels meets and falls in love with a sixteen year old school girl. This alone is cause for concern but when the couple get married and move to America,... See full summary »
Bizarre Art Movie which purports to be a 'statement about life'. The longer 120 minutes 35mm. version includes bloody Countess Elizabeth Bathory (here called Marthory), the Frankenstein ... See full summary »
Low-budget film about a young man given a mystical medallion by an Aztec shaman, in order to become a puma-empowered champion like his father before him. In trying to initially locate the ... See full summary »
Alberto De Martino
Walter George Alton,
Miguel Ángel Fuentes
This neglected competitor to the Fellini version deserves to be seen....
This neglected competitor to the Fellini version deserves to be seen by virtue of its own merits. The fragment of the original work which is all that remains of Petronius' great satire deals mainly with the excesses of Trimalchio's banquet...and that is fully present here and perhaps even better done. The sequence of the ceiling collapsing dramatically only to surprise the guests with a huge weighty cake is quite priceless, as is the faked death of the host so that everyone has to fawn on the (living) corpse, kissing it in gratitude for it's largess. Don Backy (who resembles Ray Danton) is really outstanding as Encolpio, the main character. His two comrades who support him in the numerous picaresque escapades are also well drawn and much more sympathetic than the more thuggish protagonists in Fellini's reading. There is more depth to them and sadness, too, missing in Fellini. If you like the Fellini version, you should definitely see this one, too. It's every bit as good and in some ways better.
3 of 4 people found this review helpful.
Was this review helpful to you?