Noble nightclub owner Samson does his best to keep his neighborhood clean of crime and drugs. When vicious mobster Johnny Nappa tries to muscle in on Samson's territory, Samson takes a brave stand against Nappa and his flunkies.
Where does love and lust lead you...if you never die? What destiny awaits an immortal? Is there a destination for immortal love and lust? Shigenori Takechi of IZO incorporated these ... See full summary »
Rome, 1825. Bishop Rivarola (Tognazzi) and colonel Nardoni (Salerno) are in charge to suppress liberal revolution. Shoemaker Cornacchia (Manfredi) got the information that the liberal ... See full summary »
Enrico Maria Salerno,
Le strade di una grande città sono piene di cadaveri, ma la gente sembra non accorgersene e passa indifferente. Per volere delle autorità, i corpi di quei cittadini, uccisi perchè ribelli, ... See full summary »
A student researching the German settlements of Central Texas unearths the grave of a reputed witch. The witch (who happens to be both beautiful and naked) rises from her grave and embarks ... See full summary »
Joachim is an impotent man who who secretly films his friend Stathis having sex with girls from the Tango Club. When Stathis kills the lesbian that he catches with his girlfriend, the death is caught on film. Necrophilia soon follows.
This neglected competitor to the Fellini version deserves to be seen....
This neglected competitor to the Fellini version deserves to be seen by virtue of its own merits. The fragment of the original work which is all that remains of Petronius' great satire deals mainly with the excesses of Trimalchio's banquet...and that is fully present here and perhaps even better done. The sequence of the ceiling collapsing dramatically only to surprise the guests with a huge weighty cake is quite priceless, as is the faked death of the host so that everyone has to fawn on the (living) corpse, kissing it in gratitude for it's largess. Don Backy (who resembles Ray Danton) is really outstanding as Encolpio, the main character. His two comrades who support him in the numerous picaresque escapades are also well drawn and much more sympathetic than the more thuggish protagonists in Fellini's reading. There is more depth to them and sadness, too, missing in Fellini. If you like the Fellini version, you should definitely see this one, too. It's every bit as good and in some ways better.
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