| François Delaive | ... | Paul | |
| Camille Japy | ... | Camille | |
| Martial Jacques | ... | Martial | |
| Michel Beaujard | ... | Le père |
Directed by | |||
| François Ozon | |||
Writing credits(in alphabetical order) | ||
| Didier Blasco | ||
| François Ozon | ||
Produced by | |||
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | producer | |
Cinematography by | |||
| Yorick Le Saux | |||
Film Editing by | |||
| Frédéric Massiot | |||
Production Design by | |||
| Juliette Cheneau | |||
Makeup Department | |||
| Corinne Flahaut | .... | key makeup artist | |
Production Management | |||
| Guy-Philippe Bertin | .... | assistant unit manager | |
| Emilie Henry | .... | assistant unit manager | |
| Béatrice Plumet | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Thierry Taieb | .... | assistant director | |
Sound Department | |||
| Katia Boutin | .... | sound mixer | |
| Katia Boutin | .... | sound | |
| Gilda Fine | .... | sound editor | |
| Benoît Hillebrant | .... | boom operator | |
| Benoît Hillebrant | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Guillaume Collanges | .... | still photographer | |
| Stéphane Martin | .... | assistant camera | |
| Mathias Raaflaub | .... | electrician | |
Editorial Department | |||
| Sophie Delecourt | .... | assistant editor | |
Other crew | |||
| Anne Wermelinger | .... | script supervisor | |
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| Time to Leave | Son frère | The Witnesses | Close to Leo | Confusion of Genders |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb France section |
Paul a young gay photographer is tormented by a photograph of himself as a baby. He believes he is incredibly ugly and rejected by his father. When his father is dying, he photographs him lying naked in his hospital bed. This is a form of revenge. After his father's death a box of family photographs is presented to Paul and he discovers the startling truth. The film depicts how tension and misunderstanding can arise within a family. Paul seeks solace in his relationship with his lover Martial who assists in his photographic activities. In his portrait gallery he has a series of photos of contorted faces of men at moment of orgasm. The title of this French film "La Petite Mort" translates as "Orgasm". The acting is good throughout, but for me the most moving scene follows the telephone call informing Paul of his father's death.