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The Third Eye (1966)

Il terzo occhio (original title)
A young count who lives with his dominant and jealous mother, begins in a downward spiral into madness after his fiancée dies in an accident - or it wasn't an accident?


(as James Warren)


(story), (as James Warren) | 2 more credits »

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Cast overview:
Mino Alberti (as Frank Nero)
Gioia Pascal ...
Erika Blanc ...
Laura / Daniela (as Diana Sullivan)
Olga Solbelli ...
Mino's Mother (as Olga Sunbeauty)
Marina Morgan ...
Nightclub performer
Gara Granda ...
Richard Hillock ...


A young bachelor Mino Alberti (Franco Nero), lives in an old manor with his overprotective mother and his faithful maid, is just a few days before getting marry, his fiancee dies in a mysterious car crash. Soon afterwards Mino begins to lose his sanity and lures young women into his house with nefarious intentions. Written by jairhcastillo

Plot Summary | Add Synopsis


Thriller | Horror


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Release Date:

11 June 1966 (Italy)  »

Also Known As:

The Third Eye  »

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Did You Know?


Italian censorship visa # 46555 delivered on 21-3-1966. See more »


Remade as Beyond the Darkness (1979) See more »

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User Reviews

Nero works very hard in his role
22 August 2013 | by (United Kingdom) – See all my reviews

Whilst much of this b/w film is well shot with interesting angles and perspectives, I didn't feel that the director truly had a grip on things. There are good moments and frankly duff moments and despite the presence of franco Nero there were times when I wondered if I was even going to stick with this. First real problem is that as things get under way we are introduced to the overpowering mother of Nero's character, played by Olga Solbelli and she is fantastic, like some Fellini grotesque and , of course, the splendid, EriKa Blanc, and they both disappear from the picture. Almost in the blink of an eye the best are gone and we are left with a struggling Nero and a conniving maid. Nero works very hard in his role as a latter day Italian Bates but the director doesn't seem to help and he sometimes seems to overdue things, to become just too 'crazy'. Worth a look as a supposed forerunner to D'Amato's Buio Omega and it probably features the longest struggle towards a ringing phone in movie history.

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