| Sophie Lauzière | ... | Woman On Slab (segment "Ovarian Eyeball") | |
| Anne-Marie Belley | ... | Hand (segment "Ovarian Eyeball") | |
| Brea Asher | ... | Sister (segment "Human Larvae") | |
| Ivaylo Founev | ... | Brother (segment "Human Larvae") | |
| Eric Levasseur | ... | Lover (segment "Human Larvae") | |
| Janice Higgins | ... | Girl In Photo (segment "Human Larvae") | |
| Nadia Simaani | ... | Female Performer (segment "Rebirth") | |
| Anna Berlyn | ... | Female Performer (segment "Rebirth") | |
| Nancy Simard | ... | Female Performer (segment "Rebirth") | |
| Sean Spuruey | ... | Male Performer (segment "Rebirth") | |
| Scott Noonan | ... | Male Performer (segment "Rebirth") / Gloved Hand (segment "Right Brain / Martyrdom") | |
| Mitch Davis | ... | Male Performer (segment "Rebirth") / Gloved Hand (segment "Right Brain / Martyrdom") | |
| Christopher Piggins | ... | Businessman (segment "Right Brain / Martyrdom") / Doppelganger (segment "Right Brain / Martyrdom") | |
| Martin Sauvageau | ... | Drunk In Bar (segment "Right Brain / Martyrdom") | |
| Annette Pankrac | ... | Secretary (segment "Right Brain / Martyrdom") | |
| Vince Sheffield | ... | Man On Television (segment "Right Brain / Martyrdom") | |
| Karen Wiener | ... | Female Hand (segment "Right Brain / Martyrdom") | |
| Sylvain Rivard | ... | Subliminal Body (segment "Right Brain / Martyrdom") (as Vainvard) | |
| Patrick Des Islets | ... | Subliminal Body (segment "Right Brain / Martyrdom") | |
| Eric Pettigrew | ... | Martyr (segment "Right Brain / Martyrdom") | |
| Martine Viale | ... | Female Attacker (segment "Right Brain / Martyrdom") | |
| Mylene Giasson | ... | Attacker #2 (segment "Right Brain / Martyrdom") | |
| Sameera Hanif | ... | Attacker #3 (segment "Right Brain / Martyrdom") |
Directed by | |||
| Karim Hussain | |||
Writing credits | ||
| Karim Hussain | (written by) | |
Produced by | |||
| Mitch Davis | .... | producer | |
Original Music by | |||
| Teruhiko Suzuki | (original music score) | ||
Cinematography by | |||
| François Bourdon | (director of photography) | ||
| Karim Hussain | (director of photography) | ||
Film Editing by | |||
| Karim Hussain | |||
Casting by | |||
| Patrick Des Islets | |||
Art Direction by | |||
| Sonia Capogreco | |||
Makeup Department | |||
| Bruno Gatien | .... | additional makeup effects | |
| André Gaul | .... | additional makeup effects (as Andre Gaul) | |
| C.J. Goldman | .... | special makeup effects artist (as C.J Goldman) | |
| Karim Hussain | .... | additional makeup effects | |
| Mike Minicucci | .... | additional makeup effects | |
| Gail Mockler | .... | makeup artist | |
| Adrien Morot | .... | makeup effects consultant | |
| Luke Poudrier | .... | additional makeup effects (as Luc Poudrier) | |
| Patrick St-Pierre | .... | makeup artist (as Patrick St.Pierre) | |
| Patrick Tremblay | .... | additional makeup effects | |
Second Unit Director or Assistant Director | |||
| Mitch Davis | .... | second assistant director | |
| Julien Fonfrede | .... | second assistant director (as Julien Fonfrède) | |
| Scott Noonan | .... | second assistant director | |
| Patrick Tremblay | .... | first assistant director | |
Art Department | |||
| Joel Boily | .... | construction assistant | |
| Christian Fuica | .... | construction assistant | |
| Xavier Georges | .... | set construction | |
| Xavier Georges | .... | set design | |
| Patricia McNeil | .... | additional art direction (as Patricia Mc Neil) | |
| Chantal Zapia | .... | assistant set constructor | |
| Chantal Zapia | .... | props | |
Sound Department | |||
| Karim Hussain | .... | sound editing | |
| Karim Hussain | .... | sound mix | |
| David Kristian | .... | recordist: special sound design | |
| David Kristian | .... | sound mix | |
| David Kristian | .... | sound performer: special sound design | |
| David Kristian | .... | special sound designer | |
Visual Effects by | |||
| André Abou-Jaoude | .... | optical camera effects | |
| Philippe Spurrell | .... | special projection | |
Camera and Electrical Department | |||
| Anne-Marie Belley | .... | additional stills | |
| Anne-Marie Belley | .... | grip: lighting/dolly | |
| Joel Boily | .... | grip/electrician | |
| Benoît Boucher | .... | photography: end titles (as Ben Boucher) | |
| François Bourdon | .... | gaffer | |
| Sonia Capogreco | .... | grip/electrician | |
| Rob Cotterill | .... | grip: lighting/dolly (as Robert Cotteril) | |
| Mitch Davis | .... | stills | |
| Julien Fonfrede | .... | grip: lighting/dolly (as Julien Fonfrède) | |
| Gilgamesh Fuica | .... | grip/electrician | |
| Gilgamesh Fuica | .... | stills | |
| Karim Hussain | .... | camera operator | |
| Françoise Lavoie-Pilote | .... | grip/electrician | |
| Patrick Tremblay | .... | grip: lighting/dolly | |
Editorial Department | |||
| Claudine Blain | .... | negative cutting | |
| Vladimir Zabransky | .... | colour timer | |
Other crew | |||
| Brea Asher | .... | voice actor | |
| Cliff Baker | .... | production assistant | |
| Benoît Boucher | .... | key set assistant (as Ben Boucher) | |
| Claude-Francois Britto | .... | production assistant | |
| Sonia Capogreco | .... | continuity | |
| Alex Chisholm | .... | additional making-of | |
| Alex Chisholm | .... | production assistant | |
| Mitch Davis | .... | making-of | |
| Chris Feldman | .... | production assistant | |
| Christian Fuica | .... | set production assistant | |
| Guy Lahaie | .... | production assistant | |
| Francisco Lorenjo | .... | production assistant | |
| Benoit Marin | .... | production assistant | |
| Jesse Simpson | .... | production assistant | |
| Philippe Spurrell | .... | voice actor | |
| Steve Stone | .... | production assistant | |
| Sabry Tchanderly | .... | production assistant | |
| Richard Terry | .... | key set assistant | |
Thanks | |||
| Junji Kaiho | .... | thanks: soundtrack | |
| Yuko Nakahata | .... | thanks: soundtrack | |
| Hiroshi Sato | .... | thanks: soundtrack | |
| Teruhiko Suzuki | .... | acknowledgment: all original soundtrack compositions copyright | |
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| The Holy Mountain | Izo | Silip | Fellini Satyricon | The Devil |
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A gory, low budget, art-house horror with scenes of extreme nastiness, Subconscious Cruelty is not an easy film to watch for several reasons: it is extremely 'symbolic' (some might say pretentious); it has no standard narrative; and it features very unsettling imagery. It is, however, well directed and edited, and features some amazingly realistic effects and a pretty decent score.
Subconscious Cruelty starts as it means to go on, with a bizarre short segment entitled Ovarian Eyeball in which a naked woman on a table is sliced open; from her wound, an eyeball on an optic nerve is produced. It makes no sense (to me at least), but is certainly visually arresting.
And so the weirdness continues, with a second 'story', Human Larvae, about a guy who wishes to make a mockery of the miracle of birth by killing his sister's newborn child as it is leaving the womb. This one is without a doubt the vilest story I have ever seen committed to celluloid and should be seen only by those with a very strong stomach.
Part three, Rebirth, is less intense, with a bunch of naked people rolling around in mud, fellating tree branches and shagging pools of blood! I quite enjoyed this bit after the gruelling nature of Human Larvae.
The final segment, Right Brain/Martyrdom, fuses religious symbolism with female nekkidness and gore, and is a shocking slice of sacrilegious depravity guaranteed to upset Christians everywhere.
I can't say that I enjoyed director Karim Hussain's debut, and would hesitate recommending it to pretty much everyone I know, but I imagine that it will definitely have a cult following amongst those people who prefer to delve into cinema's weirder output, such as the films of Lynch, Jodorowsky or Miike.