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| Cast overview, first billed only: | |||
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Sophie Lauzière | ... |
Woman On Slab (segment "Ovarian Eyeball")
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Anne-Marie Belley | ... |
Hand (segment "Ovarian Eyeball")
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Brea Asher | ... |
Sister (segment "Human Larvae")
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Ivaylo Founev | ... |
Brother (segment "Human Larvae")
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Eric Levasseur | ... |
Lover (segment "Human Larvae")
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Janis Higgins | ... |
Girl In Photo (segment "Human Larvae")
(as Janice Higgins)
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Nadia Simaani | ... |
Female Performer (segment "Rebirth")
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Anna Berlyn | ... |
Female Performer (segment "Rebirth")
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Nancy Simard | ... |
Female Performer (segment "Rebirth")
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Sean Spuruey | ... |
Male Performer (segment "Rebirth")
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Scott Noonan | ... |
Male Performer (segment "Rebirth") /
Gloved Hand (segment "Right Brain /
Martyrdom")
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Mitch Davis | ... |
Male Performer (segment "Rebirth") /
Gloved Hand (segment "Right Brain /
Martyrdom")
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Christopher Piggins | ... |
Businessman (segment "Right Brain /
Martyrdom") /
Doppelganger (segment "Right Brain /
Martyrdom")
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Martin Sauvageau | ... |
Drunk In Bar (segment "Right Brain /
Martyrdom")
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Annette Pankrac | ... |
Secretary (segment "Right Brain /
Martyrdom")
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"Subconscious Cruelty" is divided in four segments: Ovarian Eyeball - a naked woman is sliced by a sharp blade and an eyeball is removed from her belly. Human Larvae - a deranged man that hates his sister that is pregnant kills her newborn offspring and she during the delivery. Rebirth - a group of naked people rolls around in mud and blood. Right Brain/Martyrdom - religious symbolism associated with gore and sex. Written by Claudio Carvalho, Rio de Janeiro, Brazil
This was definitely the most graphically disturbing film I've ever seen. Apparently, the sole purpose of the film is to shock and outrage people (according to the Stockholm Film Festival booklet), and I guess it does, but it doesn't really go any further than that. Or does it? I get the feeling that Karim Hussain has something to tell us, but it doesn't get through very well. I understand the reason for showing the things no-one dares to show, and I think that's good. But it is not presented very well, so people will not get the picture. The last section of the film is clearly a statement against American double standard of morality, and the modern mans loss of spirituality, and it is also the most intentionally apparent section.
The 'sound design' is great, very reminiscent to Lynch's Eraserhead. The music on the other hand, is most of the time inappropriate. The middle part of the film where people are indulging in an orgy with Mother Earth, is so badly scored the scene becomes silly, which is a shame. Hussain should have chosen music in the vein of Ligeti and Penderecki for a film like this (like Kubrick did).
If you want to see a shocking film that is dead serious all of the time, go for this one. Not for everyone, though. Or maybe it is?