| Christopher Reeve | ... | Jason Kemp | |
| Daryl Hannah | ... | Claudia Henderson | |
| Robert Forster | ... | Detective Charlie Moore | |
| Ruben Santiago-Hudson | ... | Antonio Fredericks | |
| Anne Twomey | ... | Leila, Jason's Ex-Wife | |
| Ritchie Coster | ... | Julian Thorpe | |
| Allison Mackie | ... | Ilene Thorpe / Ilene's Sister | |
| Ali Marsh | ... | Alison Rothman | |
| Julie Baker | ... | Luscious Woman | |
| Maggie Kiley | ... | Professional Woman | |
| Peter Giles | ... | Professional Man | |
| Max Chalawsky | ... | Writer | |
| Marc Holzman | ... | Gay Man | |
| David Pittu | ... | Gay Mate | |
| Monique Cintron | ... | Janet | |
| David Wohl | ... | Dr. Schneider | |
| Kevin O'Rourke | ... | Roy Mason | |
| John Rothman | ... | Franklin Porter | |
| Leigh Zimmerman | ... | Business Woman | |
| Deedee Magno | ... | Popoff Nurse (as Deedee Lynn Magno) | |
| Frank Pellegrino | ... | Physical Therapist | |
| Gina Colucci-Bradbury | ... | Rehab Aide | |
| Tracy Deluca | ... | Rehab Aide | |
| Christopher Fontini | ... | Rehab Aide | |
| Herbert Karpatkin | ... | Rehab Aide | |
| rest of cast listed alphabetically: | |||
| Catherine Dudley | ... | Violinist (uncredited) | |
| Alan Francis | ... | Construction Worker in Window (uncredited) | |
Directed by | |||
| Jeff Bleckner | |||
Writing credits(WGA) | ||
| Cornell Woolrich | (story) | |
| Eric Overmyer | (teleplay) and | |
| Larry Gross | (teleplay) | |
Produced by | |||
| Sheldon Abend | .... | producer | |
| Jeff Bleckner | .... | consulting producer | |
| Robert V. Gaulin | .... | producer | |
| Steven Haft | .... | executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| David V. Picker | .... | executive producer | |
| Christopher Reeve | .... | executive producer | |
| Lucille Smith | .... | associate producer (as Lucille Masone Smith) | |
| Jonathan Starch | .... | co-producer (1998) | |
Original Music by | |||
| David Shire | |||
Cinematography by | |||
| Ken Kelsch | (director of photography) | ||
Film Editing by | |||
| Geoffrey Rowland | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Stephen Hendrickson | |||
Art Direction by | |||
| Randall Richards | |||
Set Decoration by | |||
| Beth Kushnick | |||
Costume Design by | |||
| David C. Robinson | (as David Carl Robinson) | ||
Makeup Department | |||
| Rose Chatterton | .... | key hair stylist | |
| Todd Kleitsch | .... | key makeup artist | |
| Judy Chin | .... | makeup artist (uncredited) | |
Production Management | |||
| Jonathan Starch | .... | unit production manager | |
| Dee D'Orazio | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vebe Borge | .... | first assistant director | |
| Amy Lynn | .... | second assistant director | |
Art Department | |||
| David H. Allen | .... | property master (as David Allen) | |
| Joseph Garzero | .... | scenic chargeman (as Joe Garzero) | |
| George Hugel | .... | construction coordinator | |
| John Wolanczyk | .... | camera scenic artist | |
| Judy Gurr | .... | set dresser (uncredited) | |
| Timothy Joliat | .... | set dresser (uncredited) | |
| Ross La Terra | .... | set dresser (uncredited) | |
| Mark Newell | .... | assistant property master (uncredited) | |
| Alyson Wellins | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Danny Michael | .... | sound mixer | |
| Beau Biggart | .... | adr mixer (uncredited) | |
| Bob Costanza | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Sarah Frank | .... | computer graphics | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Douglas Crosby | .... | stunts | |
| Norman Douglass | .... | stunts | |
| David S. Lomax | .... | stunts | |
| Susan Trout | .... | stunts | |
Camera and Electrical Department | |||
| Patrick Capone | .... | camera operator | |
| Steve Drellich | .... | camera operator | |
| Richard Eliano | .... | camera operator (as Rich Eliano) | |
| Robert Kummert | .... | key grip | |
| Ken Regan | .... | still photographer | |
| John Sosenko | .... | camera operator | |
| Phil Testa | .... | gaffer (as Philip D. Testa) | |
| Bill Almeida | .... | electrician (uncredited) | |
| Tim Davies | .... | second dolly grip (uncredited) | |
| Jon Delgado | .... | electrician (uncredited) | |
| John Gilgar | .... | electrician (uncredited) | |
| Dennis A. Livesey | .... | assistant camera (uncredited) | |
| Thomas McGrath Woods | .... | grip (uncredited) | |
| Jason Micallef | .... | electrician (uncredited) | |
| Andy Niceberg | .... | best boy electric (uncredited) | |
| Mark Schwartzbard | .... | camera loader (uncredited) | |
| Stephen Treadway | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Susan O'Donnell | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Linda DeMarco | .... | color timer (restored version dye transfer system) | |
| Bryan M. Horne | .... | assistant editor (as Bryan Mackenzie Horne) | |
Music Department | |||
| Lori Slomka | .... | music editor | |
Transportation Department | |||
| Tom Leavey | .... | transportation captain | |
Other crew | |||
| Tom Farmer | .... | computer playback operator | |
| Hans Graffunder | .... | production coordinator | |
| Alexandra Reeve | .... | assistant: Mr. Reeve | |
| Susan Saunders | .... | production accountant | |
| Amanda Schreiber | .... | assistant: Mr. Haft | |
| Lynn Twentyman | .... | script supervisor (as Lynne Twentyman) | |
| Joseph Zolfo | .... | location manager | |
| Jeffrey R. Marvin | .... | assistant locations (uncredited) | |
| Hillary Meyer | .... | payroll accountant (uncredited) | |
| Jordan Prince | .... | assistant location manager (uncredited) | |
| Adam Taylor | .... | second assistant accountant (uncredited) | |
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| Rear Window | Sisters | The Crimson Kimono | Bullitt | Sleuth |
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Gus Van Sant's remake of PSYCHO at least had an interesting premise behind it - is a clone of an art object in itself? We know the answer now :-)
This appalling remake of REAR WINDOW has only one use, and that a cautionary one. You can't improve on perfection.
OK - we all feel sorry for Christopher Reeve. What happened to him shouldn't happen to anybody. But giving him this role was either an act of misplaced kindness or one of cynical exploitation and CR's bank balance is the only thing that has benefited from this total abortion of a remake. Just about everything that was worth having in the original has been fubarred here.
I'll stop here before I become *really* abusive. Avoid this turkey like the plague.