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Monkeybone (2001)

In a coma, a cartoonist finds himself trapped within his own underground creation and must find a way to get back, while racing against his popular but treacherous character, Monkeybone.

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Writers:

(graphic novel "Dark Town"),

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Herb (as David Foley)
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Alice
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Clarissa (as Amy D. Higgins)
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Storyline

In a coma, Stu Miley a cartoonist who created a comic strip called Monkeybone which features a rascal monkey. He finds himself trapped within his own underground creation and must find a way to get back, while racing against his popular but treacherous character, Monkeybone. Naturally, Monkeybone himself is there, and he and Stu quickly start fighting like cats and dogs. When Stu realizes that his sister, due to a pact they once made, is preparing to pull the plug on him, Stu makes a deal with Hypnos, the god of sleep, to help him steal a golden ticket from Death himself. But when Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever! Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Add Synopsis

Taglines:

If It Yells, If It Swings, It's Got To Be Monkeybone! See more »


Motion Picture Rating (MPAA)

Rated PG-13 for crude humor and some nudity | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 February 2001 (USA)  »

Also Known As:

Untitled Monkeybone Project  »

Filming Locations:

 »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

$2,685,078 (USA) (23 February 2001)

Gross:

$5,409,517 (USA) (20 April 2001)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie makes allusion to many elements of Greek mythology: the Cyclops, the Minotaur, the Centaur, Medusa, Scorpion; and even Hypnos, the god of dreams. See more »

Goofs

When Stu wakes from the coma, his hands are outstretched in the shot of Julie. When we pan back to Stu, he reaches out and says, "Whoa baby." See more »

Quotes

Doctor: [racing towards the Ambulance with other doctors carrying the loaner body and Stu's body] Excuse me! That's our corpse. We've been chasing him all over town.
Ambulance Driver: [sitting in the driver seat] Help yourself pal.
Doctor: [pulling the cover off the loaner body] All right smart-ass you prepare to co-operate now?
[Stu sits up, scaring the doctors]
See more »

Crazy Credits

Lisa Zane is listed in the opening credits, however due to editing her entire time on screen is only about 20 seconds. See more »

Connections

Referenced in Hewy's Animated Movie Reviews: Coraline (2009) See more »

Soundtracks

Let's Get It On
Written by Marvin Gaye and Ed Townsend
Performed by Marvin Gaye
Courtesy of Motown Records Compmany L.P.
Under license from Universal Music Special Markets
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User Reviews

 
Deserved to do better
25 October 2001 | by (Canberra, Australia) – See all my reviews

Henry Selick's first feature, "The Nightmare Before Christmas", was a modern classic. His next, "James and the Giant Peach", had most of the things that made "Nightmare" great - heavily diluted. One thing that weakened Selick's second movie was his decision to begin and end with live action footage, when the glory of both "Nightmare" and "Peach" lay in skilful, sharp, gorgeous stop-motion animation.

In "Monkeybone" Selick has watered the original batch of Nightmare juice still more (note to Selick: it's time to stop mining this lode - if you make a fourth feature, get a new look), with at least half of the footage lacking the visual trademarks that were probably the reason for making the film in the first place. There WAS some stop-motion footage thrown in, probably it's for old time's sake.

Still, this is a better, more memorable movie than Selick's last one, and certainly not nearly as bad as the miserable box-office returns and scathing reviews would lead you to believe. Yes, the film has its flaws, but if you were to judge from its reception you'd think it didn't have ANY virtues - which simply isn't true. There's Brendan Fraser, for a start. How can you not like Stu Miley, or the way Fraser plays him? (If you want to see Fraser's charm wasted, see "Bedazzled".) At one point Stu is forced to temporarily occupy another body (Chris Kattan), and we instantly transfer our affections to the new actor without giving the matter a second thought - which is more remarkable than it sounds, and shows that Fraser really had been WORKING to get us to like Stu.

Then there's Downtown, which you must admit, looks good. It's more of a visual hodgepodge than Selick's previous two worlds (the first of which owes its look largely to Tim Burton), partly because it was realised through an ill-chosen mixture of costume, CGI, stop-motion and set design ... our eyes must constantly adjust, yet the overall look is strong enough to make it worth the effort.

As for the film's flaws, well, they've been greatly exaggerated. I suppose there were (as several American critics complained) some bodily-function-based jokes, but I can't recall that many - certainly not as many or as witless as in "Shrek", and besides, at least some of the jokes in "Monkeybone" are actually funny. That's because they're character-based, and not solely reliant on the alleged shock value of someone suddenly farting or burping.

All that's really wrong with "Monkeybone" is that it lacks the brilliance a premise this bizarre demands. Yeah, well, big deal. So unlike Selick's first feature it's not a masterpiece. It's still an entertaining, competently made film with a good, solid story, more than inventive enough to justify having been made.


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