In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought... See full summary »
Amir is an illegal Pakistani immigrant smuggled into England in the 1960's to work, to send money to his family and perhaps even bring them over with him. A skilled laborer, he is forced to... See full summary »
A 13-year-old American boy is recruited by terrorists to bomb a U.S. embassy in Delhi. After being brainwashed he is sent to live with a Muslim family prior to the attack. However, the man ... See full summary »
A group of women of Indian descent take a trip together from their home in Birmingham, England to the beach resort of Blackpool. The women vary in ages from mid-teens to old, and initially ... See full summary »
In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general. Written by
Jeremy Perkins <email@example.com>
The Khan house doesn't have its own bathroom, which was perfectly normal for the average terraced house of the time. A tin bath (as shown in the initial scenes) for washing with would be shared in a sitting room or bedroom between the family while the only toilet was an outhouse in the back garden. See more »
When the family go to the telephone box to phone Nazir, a train passes in the background. The movie is set in 1971, and the train carries a color scheme (Intercity) that was not introduced until the mid-1980s. See more »
When I'm Dead and Gone
Written by Benny Gallagher (as Gallagher) and Graham Lyle (as Lyle)
Used by permission of B. Feldman/Gallagher & Lyle Music/EMI Music Publishing Ltd.
Performed by McGuinness Flint
Licensed courtesy of Capitol Records Inc. See more »
Excellent film of interracial family, traditions versus the contemporary and chartering somewhere in the middle ground. I was somewhat dubious about the way EAST IS EAST was touted as a comedy, seemingly about horny teenagers and adolescent rebellion against parental authority. I thought, Oh Lord, the Americans have a lock on this type of flick, and now the British want in, too. Then, I saw Om Puri's name as the lead. I have been a longtime fan of this amazing actor, and thought, well it's worth a look.
Wow! What a captivating, interesting and at times, humorous film. I found it unpretentious and unflinching, and marvelously human, which is where the humor rested. The mingling of cultures, and those becoming an amalgamation of the two, lead to uproarious clashes sometimes. The wishes, well in this case, the demands of the draconian father for his children, and the reality in which they live clearly head for confrontation. The screenplay by Ayub Khan-Din is a great slice of life; it's certainly wasn't hard to tell that he might have culled some of the notions included from life experience. It's not meant to be exacting, as some have criticized. No more so, than Laura Ingalls Wilder's "LITTLE HOUSE ON THE PRAIRIE" was meant to be a strictly historical factoid on pioneering life in the early western US. It's meant as a slice of it, of one persons vision or interpretation.
EAST IS EAST is extraordinary, a marvel to watch, and one that simply gets better with each viewing. Don't miss this one. Highly recommended.
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