Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
In Los Angeles, after a violent drug rip-off, the Los Angeles Police Department detectives find the identity of the trio - the sadistic I.Q. of 150 and college graduate Lenny "Pluto" ... See full summary »
Billy Bob Thornton,
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
I like to be up when there ain't nobody else up. Feels like the whole world's asleep. Can't nuthin' get ya or bother ya. Ya know?
Well, it seems to me that's when everything *can* get you. That's when folks get knocked in the head, and shot, cut up and everything, at night.
I don't want to think about things like that right now. If your gonna keep talkin' about it, you'll have to sleep on the couch.
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I'm also a fan of Billy Bob Thornton, but I can't say that all of his movies are works of genius. When he's good, he's very, very good...etc.
I watched "Daddy and Them" and thought I had really stumbled onto a gem! Also written and directed by Billy Bob, it portrays two of the most dysfunctional families ever. They are his immediate family, plus his wife's (Laura Dern), who've gotten together because Uncle Hazel (Jim Varney, in a very small, thankfully non-Ernest role) has been arrested for attempted murder.
To top it off, these people are the epitome of Arkansas rednecks! Diane Ladd is in it, as is Andy Griffith. Since it's a Billy Bob-er, the language is kinda raw, and it's a real hoot to see and especially hear old Sheriff Andy get down and dirty! He plays BB's elderly, semi-senile father.
Very humorous, with more than a few belly laughs... up until 1:10, or thereabouts, then the whole thing just collapsed! It went into a final half-hour or so of boring, self-absorbed pseudo-psychological angst and apologia claptrap. What a come-down! I guess it was intended to make the film "relevant," or something, but what it really did was to make it a semi-disaster.
I'd recommend looking at the first 2/3rds, then, when BB starts to become a self-analyzing motormouth, turn it off and play Scrabble, or something.
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