| Photos (See all 38 | slideshow) | Videos (see all 3) |
| Snoop Dogg | ... | Jimmy Bones | |
| Pam Grier | ... | Pearl | |
| Michael T. Weiss | ... | Lupovich | |
| Clifton Powell | ... | Jeremiah Peet | |
| Ricky Harris | ... | Eddie Mack | |
| Bianca Lawson | ... | Cynthia | |
| Khalil Kain | ... | Patrick | |
| Merwin Mondesir | ... | Bill | |
| Sean Amsing | ... | Maurice | |
| Katharine Isabelle | ... | Tia | |
| Ron Selmour | ... | Shotgun (as Ronald Selmour) | |
| Deezer D | ... | Stank | |
| Garikayi Mutambirwa | ... | Weaze | |
| Erin Wright | ... | Snowflake | |
| Josh Byer | ... | Jason | |
| Kirby Morrow | ... | Palmer | |
| Ellen Stephenovna Ewusie | ... | The Death Lady (as Ellen Ewusie) | |
| Lynda Boyd | ... | Nancy | |
| Boyan Vukelic | ... | Young Cop | |
| Marcus Moldowan | ... | Young Patrick | |
| Mavis D'Andrade | ... | Old Woman - Street | |
| Colin Foo | ... | Elderly Séance Man | |
| Emy Aneke | ... | Clubber | |
| Randy Schooley | ... | Investigator | |
| Tracey Classen | ... | Bones Shadow | |
| Donny James Lucas | ... | Crackhead (as Donny Lucas) | |
| Shanel Nelson-Murray | ... | Skipping Girl | |
| Chaynade Knowles | ... | Skipping Girl | |
| Brittany Moldowan | ... | Skipping Girl | |
| Helena Yea | ... | Séance Woman | |
| Gladys Phillip | ... | Séance Woman | |
| D. Harlan Cutshall | ... | Séance Man | |
| Carlos Joe Costa | ... | Séance Man | |
| Jeni Le Gon | ... | Window Granny (as Jeni Legon) | |
| Chaka White | ... | Foxy Lady | |
| Keith Provost | ... | Cop | |
| Brantley Bush | ... | Cop | |
| Linda Chow | ... | Jeremiah's First Wife | |
| Charles Jones Jr. | ... | Elderly Man | |
| rest of cast listed alphabetically: | |||
| Victor Formosa | ... | Thug (uncredited) | |
| Alina Kaufman | ... | Jenny (uncredited) | |
| Danny Waugh | ... | Wino (uncredited) | |
Directed by | |||
| Ernest R. Dickerson | (as Ernest Dickerson) | ||
Writing credits(WGA) | ||
| Adam Simon | (written by) & | |
| Tim Metcalfe | (written by) | |
Produced by | |||
| Leon Dudevoir | .... | co-producer | |
| Rupert Harvey | .... | producer | |
| Peter Heller | .... | producer | |
| Stephen W. Hollocker | .... | co-producer (as Stephen Hollocker) | |
| Carolyn Manetti | .... | executive producer | |
| Lloyd Segan | .... | producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| Flavio Martínez Labiano | (director of photography) (as Flavio Labiano) | ||
Film Editing by | |||
| Michael N. Knue | |||
| Stephen Lovejoy | |||
Casting by | |||
| Anya Colloff | |||
| Jennifer Fishman | |||
| Amy McIntyre Britt | |||
Production Design by | |||
| Douglas Higgins | |||
Art Direction by | |||
| Gary Myers | |||
Set Decoration by | |||
| Tedd Kuchera | |||
Costume Design by | |||
| Dana Campbell | |||
Makeup Department | |||
| Jaremy Aiello | .... | makeup effects sculptor: Alterian | |
| Alyson Black Barrie | .... | hair department head | |
| Larry Bones | .... | makeup effects foam runner: Alterian | |
| Jeffrey P. Buccacio Jr. | .... | makeup effects sculptor: Alterian (as Jeff Buccacio) | |
| Mike Fields | .... | makeup effects technician: WCT Productions | |
| Frederick Fraleigh | .... | makeup effects principal wall artist: Alterian (as Frederick Fraliegh) | |
| Tony Gardner | .... | makeup effects designer: Alterian | |
| Rachel Griffin | .... | makeup effects technician: WCT Productions | |
| George Grove | .... | makeup effects technician: WCT Productions | |
| Bruce Houston | .... | makeup effects technician: WCT Productions | |
| Jessica Huebner | .... | makeup effects production manager: Alterian | |
| Richard Kohlen | .... | first assistant hair stylist | |
| Barry R. Koper | .... | on-set key makeup effects applicator: Alterian (as Barry Koper) | |
| Lisa Leonard | .... | key hair stylist | |
| Conor McCullagh | .... | makeup effects principal artist: Alterian | |
| Connie Parker | .... | key makeup artist | |
| Brad Proctor | .... | makeup effects technician: WCT Productions | |
| Paul Salamoff | .... | makeup effects project manager: Alterian | |
| Russell Shinkle | .... | makeup effects mechanical design: Alterian | |
| Lisa Strong | .... | first assistant makeup artist | |
| Lilo Tauvao | .... | makeup effects principal artist: Alterian | |
| Bill Terezakis | .... | makeup effects supervisor: WCT Productions | |
| Maureen Terezakis | .... | makeup effects production manager: WCT Productions (as Maureen Chan) | |
| Heather Vickers | .... | makeup effects production assistant: WCT Productions | |
| Stephanie Williams | .... | makeup effects: accounting/controller, Alterian | |
| George Worden | .... | makeup effects production assistant: Alterian | |
| Jack Bricker | .... | makeup effects hair technician: Alterian (uncredited) | |
| Jerry Constantine | .... | makeup effects technician: Alterian (uncredited) | |
| Cynthia Gardner | .... | makeup effects finance management: Alterian (uncredited) | |
| Connie Grayson Criswell | .... | makeup effects hair technician: Alterian (uncredited) | |
| Jeff Himmel | .... | makeup effects sculptor: Alterian (uncredited) | |
| Matt Jordon | .... | makeup effects artist: Alterian (uncredited) | |
| Carol Koch | .... | makeup effects sculptor: Alterian (uncredited) | |
| Michael O'Brien | .... | makeup effects technician: Alterian (uncredited) | |
| Leanne Rae Podavin | .... | makeup effects technician: WCT Productions (uncredited) | |
| Geoff Redknap | .... | makeup effects technician: WCT Productions (uncredited) | |
Production Management | |||
| Carla Fry | .... | executive in charge of production | |
| Ric Keeley | .... | post-production supervisor | |
| Jody Levin | .... | executive in charge of post-production | |
| Robert Petrovicz | .... | unit production manager | |
| Frank Salvino | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Glenn Bottomley | .... | second assistant director | |
| Richard Coleman | .... | first assistant director | |
| Peter Dashkewytch | .... | first assistant director: second unit | |
| Alexis Hinde | .... | third assistant director | |
| Sara Irvine | .... | trainee assistant director | |
| Philip Katsikas | .... | second assistant director: second unit (as Phil Katsikas) | |
| Ian Samoil | .... | third assistant director: second unit | |
| Rob Vouriot | .... | first assistant director: miniatures unit | |
| Richard Worden | .... | first assistant director: second unit | |
Art Department | |||
| Don Anderson | .... | assistant property master | |
| Paul Baker | .... | props | |
| Brian Beatty | .... | lead carpenter | |
| John Beatty | .... | general foreman | |
| Brent Bennett | .... | assistant set decorator | |
| Robin Driscoll | .... | lead painter | |
| Phil Gough | .... | property master (as Philip Gough) | |
| Peter Grace | .... | construction coordinator | |
| Christine Handley | .... | buyer | |
| Jack Higgins | .... | assistant art director | |
| Steve Houle | .... | on-set dresser | |
| Marko Lytviak | .... | paint coordinator (as Marco Lytviak) | |
| Sheila Millar | .... | set designer | |
| Jim Pate | .... | assistant property master | |
| Valentine Pavuls | .... | property master: second unit | |
| Reno Pellegrin | .... | set dresser | |
| Dan Petrescu | .... | scenic artist | |
| Margot Ready | .... | art department production assistant | |
| Dean Rossmo | .... | construction buyer | |
| Mike Sorochuk | .... | lead carpenter | |
| Carlos Vera | .... | conceptual artist | |
| Ling Yang | .... | storyboard artist | |
Special Effects by | |||
| Dan Clark | .... | additional special effects (as Dan Clarke) | |
| Adrian Fisher | .... | additional special effects | |
| David K'shin Gendron | .... | special effects first assistant (as David Gendron) | |
| Ian Korver | .... | additional special effects | |
| Robert Rockhill | .... | additional special effects (as Rob Rockhill) | |
| Randy Shymkiw | .... | special effects coordinator | |
| John Sleep | .... | special effects first assistant | |
| Bill Terezakis | .... | puppeteer: Demon Dog | |
| Terry Wadd | .... | additional special effects | |
Visual Effects by | |||
| Brian Allan | .... | optical camera | |
| John Anderson | .... | composite artist: Pixel Magic | |
| Adam Avitabile | .... | digital compositor (2007) | |
| Timothy Clark | .... | visual effects matte painter (as Tim Clark) | |
| Franklin Cofod | .... | line-up/editorial: Pixel Magic | |
| Eric Dehaven | .... | digital compositor | |
| Victor DiMichina | .... | digital imaging supervisor: Pixel Magic | |
| Barry Dresner | .... | visual effects editor | |
| Charlene Eberle Douglas | .... | visual effects coordinator (as Charlene Eberle) | |
| Roy Erickson | .... | systems administrator: Pixel Magic | |
| Kevin Fisher | .... | scanning & recording: Pixel Magic | |
| Patrick Flanagan | .... | composite artist: Pixel Magic (as Patrick Flannagan) | |
| Tyler Foell | .... | 2D supervisor | |
| Jim Gorman | .... | 3D artist: Pixel Magic | |
| Nate Haggard | .... | composite artist: Pixel Magic | |
| Mike Hardison | .... | 3D artist: Pixel Magic | |
| Ivan Hayden | .... | visual effects previsualization | |
| George Macri | .... | software development: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Karla McIntyre | .... | visual effects coordinator: Pixel Magic | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Patrick Murphy | .... | digital compositor: Pixel Magic | |
| Reid Paul | .... | digital compositing supervisor: Pixel Magic | |
| Tim Pyle | .... | 3D artist: Pixel Magic | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Josh Saeta | .... | composite artist: Pixel Magic | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Gunther Schatz | .... | lead visual effects artist | |
| Geordie Spradling | .... | composite artist: Pixel Magic | |
| Erik Strauss | .... | visual effects producer: NP3DFX | |
| Marc Toscano | .... | 3D animator | |
| Juan Carlos Vargas | .... | 3D artist: Pixel Magic | |
| Todd Vaziri | .... | composite artist: Pixel Magic | |
| Ariel Velasco-Shaw | .... | visual effects supervisor (as Ariel Shaw) | |
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Brenda Adams | .... | stunts | |
| Lloyd Adams | .... | stunt double | |
| Barb Bartos | .... | stunts (as Barbra Bartos) | |
| Sylvain Cameron | .... | stunts | |
| Yves Cameron | .... | stunt coordinator: prep | |
| Douglas Chapman | .... | stunt double (as Doug Chapman) | |
| Dean Choe | .... | stunts | |
| Jocelyn Clarke | .... | stunts | |
| Aubrey Culp | .... | stunts (as Aubrey Lee Culp) | |
| Duane Dickinson | .... | stunts | |
| Errol Gee | .... | stunt double | |
| Corry Glass | .... | stunts | |
| David Hooper | .... | stunt performer | |
| David Hooper | .... | stunts | |
| Ernie Jackson | .... | stunt coordinator (as Ernest Jackson) | |
| Michael Langlois | .... | stunts | |
| Don Lew | .... | stunts | |
| Brad Loree | .... | stunt double | |
| Deb Macatumpag | .... | stunt double (as Deborah Macatampag) | |
| Daniel B. Melles | .... | stunt double (as Daneil Melles) | |
| Mike Mitchell | .... | stunts | |
| Colette Perry | .... | stunts | |
| Ronald Robinson | .... | stunts | |
| Trish Schill | .... | stunts (as Patricia Schill) | |
| Basil Sohun | .... | stunt double | |
| Bill Stewart | .... | stunts | |
| Melissa R. Stubbs | .... | stunts (as Melissa Stubbs) | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting: Canada | |
| Cheri Gaynor | .... | casting assistant: Canada | |
| Lori Marshall | .... | extras casting | |
| Scott Muller | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marnie Ander | .... | set costumer | |
| Debbie Geaghan | .... | costume set supervisor | |
| Jennifer Grossman | .... | assistant costume designer | |
| Lori Kenny | .... | costumer (as Lori Kenney) | |
| Kurtis Reeves | .... | costume set supervisor: second unit | |
Editorial Department | |||
| Lynn Abroms | .... | first assistant editor | |
| Steve Ansell | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter: Kona Cutting | |
| Richard Currie | .... | second assistant editor | |
| Barry Dresner | .... | second assistant editor | |
| Nathan W. Jones | .... | post-production assistant (as Nathan Jones) | |
| David Lebowitz | .... | second assistant editor | |
| Richard Long | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Philip Pucci | .... | assistant editor | |
| Philip Steinman | .... | second assistant editor (as Philipe Steinman) | |
| Joëlle Taar | .... | second assistant editor | |
| Jodie Davidson | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Thomas Bartke | .... | conductor: score | |
| Karen Bennett | .... | assistant music editor | |
| Bob Bowen | .... | music executive | |
| Paul Broucek | .... | music executive | |
| John Burton | .... | score assistant engineer | |
| Elia Cmiral | .... | orchestrator | |
| Mike Flicker | .... | music editor | |
| Sam Hofstedt | .... | score assistant engineer | |
| Jeff Lingle | .... | additional music editor | |
| Lise Richardson | .... | music editor: temp score | |
| Mitch Rotter | .... | soundtrack supervisor | |
| David Sabee | .... | music contractor | |
| Annie Searles | .... | music clearances | |
| Lori Silfen | .... | music business affairs | |
| Dexter Story | .... | music coordinator | |
| John Whynot | .... | score mixer | |
| John Whynot | .... | score recordist | |
| Matt Friedman | .... | music editor (uncredited) | |
| Dan Ostermann | .... | musician: trombone (uncredited) | |
Transportation Department | |||
| David R. Anderson | .... | transportation coordinator (as Dave Anderson) | |
| Jim Barley | .... | driver | |
| Elaine Barrett | .... | transportation captain | |
| Fred Davies | .... | picture vehicle coordinator | |
| Harold Felhauer | .... | driver | |
| Dave Hetherington | .... | driver | |
| Mark Libera | .... | driver | |
| John Martin | .... | driver | |
| Barry Meldrum | .... | transportation captain: second unit | |
| Gordon Pearce | .... | driver | |
| Edwin Robertson | .... | driver | |
| Terry Storey | .... | driver | |
| Brian Waltho | .... | driver | |
| Keith Waltho | .... | driver | |
Other crew | |||
| Craig Alexander | .... | production attorney | |
| Shine Anthony | .... | stand-in (as Shine) | |
| Lynell Bangs | .... | production accountant | |
| Karin Behrenz | .... | production assistant | |
| Ronald Brennan | .... | security (as Ron Brennan) | |
| Rich Brown | .... | second assistant accountant | |
| Laurie Cartwright | .... | risk management | |
| Terence Chase | .... | security | |
| Matthew Chipera | .... | location manager | |
| Rick Coffee | .... | first assistant accountant | |
| Cathy Cunliffe | .... | craft service | |
| Cathy Cunliffe | .... | first aid | |
| Paul Darc | .... | production services: Canada | |
| Gloria Davies | .... | unit publicist | |
| Ian Doig | .... | raven trainer | |
| Jeff Egan | .... | production safety | |
| Pablo Ferro | .... | title designer: main title sequence | |
| Rose Geddes | .... | assistant: Ms. Grier | |
| Emily Glatter | .... | supervising production coordinator | |
| Jared Howitt | .... | production office assistant | |
| Ed Hunter | .... | assistant: Snoop Dogg | |
| Derek Hurst | .... | extras wrangler | |
| Tracey Hway | .... | stand-in | |
| James Ice | .... | assistant: Snoop Dogg | |
| Sharon Ingram | .... | production coordinator (as Sharon P. Ingram) | |
| Scott Kanyuck | .... | production attorney | |
| Scott Karpf | .... | assistant: Lloyd Segan | |
| Lana Krotenko | .... | script supervisor: second unit | |
| Alexandra La Roche | .... | script supervisor (as Alexandra Laroche) | |
| Laura Livingstone | .... | assistant: Rupert Harvey & Peter Heller | |
| Grace MacLeod | .... | animal trainer | |
| Andrew Matthews | .... | financial consultant | |
| Anthony McRae | .... | stand-in (as Anthony McCrae) | |
| Terrance Morris | .... | stand-in (as Terrence Morris) | |
| Jennifer Mount | .... | risk management | |
| Peter Pao | .... | key production assistant | |
| Nicholas Podbrey | .... | lead puppeteer | |
| William Proctor | .... | assistant: Ernest Dickerson (as Bill Proctor) | |
| Paul Prokop | .... | production controller | |
| Kristian Ransonnet | .... | post-production accountant (as Kristyan Ransonnet) | |
| Joshua Ravetch | .... | production resources | |
| Connie Rusgen | .... | animal trainer | |
| Amy Russell | .... | clearances: The Clear Choice | |
| Heidi Grace Scott | .... | accounting clerk (as Heidi Scott) | |
| David Sporn | .... | business affairs liaison | |
| Robert Strother | .... | production services: Canada | |
| Jennifer Tanami-Hendriks | .... | production secretary (as Jennifer Tanami) | |
| Pat Taylor | .... | assistant production coordinator (as Patricia Taylor) | |
| Jim Tsiropoulos | .... | stand-in | |
| Lee Tucker | .... | preview technical supervisor | |
| Costa Vassos | .... | assistant location manager | |
| Diane Ward | .... | production coordinator | |
| Wanda Wilson | .... | stand-in | |
| Steve Woodley | .... | animal trainer | |
| Ed Wynyk | .... | security captain (as Ed Wynnyk) | |
| Sean Jordan | .... | interactive media (uncredited) | |
| Gordon Juli | .... | security (uncredited) | |
| Robert Milicevic | .... | set security (uncredited) | |
Thanks | |||
| Stacy Adams | .... | the film-makers wish to extend their personal thanks | |
| Jeffrey Denker | .... | the film-makers wish to extend their personal thanks (as Jeff Denker) | |
| Joe Dunn | .... | the film-makers wish to extend their personal thanks | |
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| News articles | IMDb Crime section | IMDb USA section |
The name Jimmy Bones strikes fear into the hearts of all who hear it. Back in 1979 he ruled the street, now after his death, over twenty years later Jimmy Bones is still in charge. After a group of teens buy Jimmy's building and turn it into a dance club, his sprit is released and he goes on a bloody rampage, seeking revenge on his killers. Sounds like a horror movie doesn't it? It even looks and feels like a horror movie. But if it's a horror movie your expecting you may be in for a little disappointment. We spend the entire film switching back and forth from 1979 to the present day. The 1979 scenes seem to be knocking on blacksplotion flicks. The present day scenes are a parody of new age fright flicks. Between the two settings everything seems to be played for laughs and it works wonderfully well. Back in 1979 there is everything you would expect to see in a blacksplotion flick, the afros, the sideburns, the stylish clothes and they even use phrases like "kracker Saturday mourning special" and you know what? It's pretty darn funny. Now we move to the present day. Seems like everyone in the film knows that they are ripping off House on Haunted Hill, there is even a reference to Vincent Price in there somewhere. You can also see all of your favourite old school horror cliches, projectile vomit made of maggots, the pipes that bleed, the severed head that still talk even after they have been decapitated, the pool table that bleeds after it is cut and the perfect silhouettes of blood that splatter on the wall. But what makes it so enjoyable is not the fact that we have seen it all before, it is how we get the feeling that film makers don't want us to take the film seriously, they just want us to sit back and enjoy. The film has a very "fun" atmosphere surrounding it and that is something that you don't find often in horror flicks today. The script is so clever you almost have to let out a chuckle because everything that happens is so predictable. What do you think will happen when a turn table group called the Resurrection Brothers enter a haunted house or when you find a dog with glowing red eyes that attacks you and you keep him and call it Bones? It's almost like the fact that everything is so stupid and cliched that it comes off as being smart. Now I'm not saying that everything is all fun and games. Director Ernest R. Dickerson throws in some very distorted camera angles and creepy imagery to keep the horror fans please and the meek on the edge of their seats and it comes off rather effective. Snoop Dogg is wilding over the top and entertaining as Jimmy Bones who could very well have been making the next Crow film right here without anyone knowing and blacksplotion queen Pam Grier can also be seen as Bones' girl. The special effects are very enjoyable whether they are serious (the night club explosion) or amusing (the talking head) or even just plain bad (the fake looking blood) and not to mention there is never an absence of gore through out. If I didn't know any better I would have to say that this is a feel good movie. So if you are looking for an entertaining nod to the old school that doesn't require and thinking or logic than you are in for one of the summers best horror flicks, it not you'd better just pass this one by.