Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
When Barry Levinson wrote the movie Diner, he created characters based on a composite of various guys he hung out with at the local diner. The Original Diner Guys documentary follows the ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring "the other": in Ben's case, it's friendship with Sylvia, a Black student; with Van, it's a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues. Written by
Director Barry Levinson wanted someone with a Grace Kelly appeal to play the role of Dubbie the Blonde. Model Carolyn Murphy was cast, although she was ironically dubbed "The Blond Haired Gene Tierney" by Elle. She auditioned for the role after her agent encouraged her to do so, and unlike many other models turned actresses, she was praised for her work. See more »
James Brown in 1954/55 was not a headliner, and he didn't record and release "Please Please Please" with a great deal of planning - it was cut with a single mike in a very haphazard way. See more »
The government doesn't know from shit. They integrate the golf courses in '51, and schools in '54. Where's their priorities?
They integrated the cricket field in Clifton Park back in '50. Can't find a colored person who plays cricket.
Pete, Nate's Assistant:
I beg to differ. That was part of the separate but equal ruling. The coloreds could only play cricket on Tuesdays.
You can't find a colored person who wants to play cricket on Tuesday, Wednesday, or Kiss-My-Tuchis-Day.
Charlie, Nate's Assistant:
For that matter, you can't find a white ...
[...] See more »
I found "Liberty Heights" an immensely entertaining movie which shows great talent, especially actor-wise. The movie is a great portrayal of how things looked like in America in the 50's, showing religious, racial, social and other differences and also showing how these differences can easily be overcome once a person realizes(or as was the case in this movie-doesn't even consider) that different only and always means worse. Ben Foster steals the show from the first scene and Adrien Brody is in close second place. And because they had such screen persona, or power if you will, I found if distracting and a bit out of place when at the end the story shifted too much to Joe Mantegna, their movie father. I have much respect for the man, he's an immense and always fun-to-watch actor, but in this movie it was him that was overshadowed, which is ironic since HE was the one who usually did this. A great, lightheaded growing-up movie that begins and ends with a nostalgic note, once again making me wish I'd have a chance to live in that day and age. Much praise to Barry Levinson for composing "Liberty Heights". 8/10
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