Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring "the other": in Ben's case, it's friendship with Sylvia, a Black student; with Van, it's a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues. Written by
According to 'Barry Levinson', this film came out of a derogatory comment about Dustin Hoffman's character in Sphere (1998). The critic's comment got Levinson thinking about his experiences growing up in Baltimore, and Liberty Heights was born. See more »
When Nate goes to pick Ben up from Little Melvin the Key Bridge can be seen. The Key Bridge was not completed until 1977. See more »
From time to time one comes across remarkable films like Liberty Heights where simple story is told in extraordinary manner. This film is about the Jewish Kurtzman family, but we follow the father and his two sons as three separate stories. Each one of them having their own struggle and challenges to face. What struck me as the most amazing part of the story was the easiness of it, how it flowed and gently tackled serious issues in the community of that time. It portrait itself in a realistic manner, where there were no real baddies or large showdown, just people going through life. The performance of the actors was brilliant, with Joe Mantegna (the father), showing once more what a talent he is. This film won't leave anyone untouched. 8/10
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